|
CD 1
|
1 |
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio
|
9:25
|
2 |
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
|
8:14
|
3 |
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
|
3:19
|
4 |
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace
|
5:42
|
5 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
|
17:42
|
6 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai
|
17:40
|
7 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace
|
6:13
|
8 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto
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11:48
|
|
CD 2
|
1 |
Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio
|
13:27
|
2 |
Symphony no. 2 in D major, op. 36: II. Larghetto
|
12:28
|
3 |
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
|
3:35
|
4 |
Symphony no. 2 in D major, op. 36: IV. Allegro molto
|
6:18
|
5 |
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
|
11:29
|
6 |
Symphony no. 4 in B-flat major, op. 60: II. Adagio
|
10:02
|
7 |
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace
|
5:57
|
8 |
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
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6:49
|
|
CD 3
|
1 |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
|
8:38
|
2 |
Symphony no. 5 in C minor, op. 67: II. Andante con moto
|
10:20
|
3 |
Symphony no. 5 in C minor, op. 67: III. Allegro
|
5:23
|
4 |
Symphony no. 5 in C minor, op. 67: IV. Allegro
|
11:16
|
5 |
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo
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11:43
|
6 |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso
|
13:29
|
7 |
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro
|
5:25
|
8 |
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro
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3:43
|
9 |
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto
|
10:18
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|
CD 4
|
1 |
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
|
14:17
|
2 |
Symphony no. 7 in A major, op. 92: II. Allegretto
|
8:48
|
3 |
Symphony no. 7 in A major, op. 92: III. Presto
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9:00
|
4 |
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
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7:03
|
5 |
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
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9:45
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6 |
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
|
4:01
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7 |
Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
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4:50
|
8 |
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
|
7:26
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CD 5
|
1 |
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
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15:20
|
2 |
Symphony no. 9 in D minor, op. 125: II. Molto vivace
|
11:19
|
3 |
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
|
17:52
|
4 |
Symphony no. 9 in D minor, op. 125: IV. Presto
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7:46
|
5 |
Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai
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18:47
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CD 6
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1 |
Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo
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8:56
|
2 |
Ouvertüre zu "Coriolan", Op. 62
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8:56
|
3 |
Ouvertüre zu "König Stephan", Op. 117
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6:51
|
4 |
Fidelio, op. 72: Overture
|
7:14
|
5 |
Ouvertüre "Leonore III", Op. 72a
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15:03
|
6 |
Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43
|
4:58
|
7 |
Die Geschöpfe des Prometheus, Op. 43: No. 14, Solo della Casentini. Andante – Adagio - Live
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4:48
|
8 |
Die Geschöpfe des Prometheus, Op. 43: No. 5, Adagio – Andante quasi allegretto - Live
|
6:38
|
9 |
Die Geschöpfe des Prometheus, Op. 43: No. 16. Finale. Allegretto – Allegro molto - Live
|
5:56
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CD 7
|
1 |
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
|
16:55
|
2 |
Piano Concerto no. 3 in C minor, op. 37: II. Largo
|
11:48
|
3 |
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
|
9:11
|
4 |
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
|
19:17
|
5 |
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
|
5:37
|
6 |
Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
|
10:04
|
|
CD 8
|
1 |
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro
|
20:45
|
2 |
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca
|
9:08
|
3 |
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro
|
10:46
|
|
CD 9
|
1 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo
|
8:45
|
2 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: II. Allegretto
|
3:14
|
3 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: III. Allegro moderato
|
0:54
|
4 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: IV. Andante, ma non troppo e molto cantabile...
|
17:15
|
5 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: V. Presto
|
6:02
|
6 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante
|
2:44
|
7 |
Quartet for Strings No. 14 in C-sharp minor, Op. 131: VII. Allegro
|
7:06
|
8 |
Quartet for Strings No. 16 in F major, Op. 135: I. Allegretto
|
7:16
|
9 |
Quartet for Strings No. 16 in F major, Op. 135: II. Vivace
|
3:28
|
10 |
Quartet for Strings No. 16 in F major, Op. 135: III. Lento assai e cantante tranquillo
|
10:01
|
11 |
Quartet for Strings No. 16 in F major, Op. 135: IV. Der schwer gefasste Entschluss: Grave (Muss es sein?)-Allegro (Es muss sein)...
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10:39
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|
CD 10
|
1 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison
|
3:53
|
2 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison
|
2:01
|
3 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison
|
4:21
|
4 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo
|
4:48
|
5 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi
|
6:28
|
6 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus
|
1:13
|
7 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris
|
2:55
|
8 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris
|
2:22
|
9 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum
|
4:08
|
10 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est
|
5:57
|
11 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum
|
5:20
|
12 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi
|
1:41
|
13 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen
|
3:13
|
14 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth
|
2:57
|
15 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis
|
1:06
|
16 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium
|
2:13
|
17 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini
|
10:34
|
18 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi
|
6:52
|
19 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem
|
2:10
|
20 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi
|
3:00
|
21 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem
|
3:53
|
|
CD 11
|
1 |
Fidelio, op. 72: Overture
|
7:15
|
2 |
Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
|
4:55
|
3 |
Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
|
0:16
|
4 |
Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline)
|
4:19
|
5 |
Fidelio, op. 72: Act I, Scene I. “Jaquino!” - “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore)
|
0:57
|
6 |
Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
|
5:04
|
7 |
Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline)
|
0:42
|
8 |
Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco)
|
2:47
|
9 |
Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline)
|
1:28
|
10 |
Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)
|
6:21
|
11 |
Fidelio, op. 72: Act I, Scene II, no. 6. March
|
2:09
|
12 |
Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco)
|
0:45
|
13 |
Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus)
|
3:16
|
14 |
Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco)
|
0:23
|
15 |
Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)
|
4:59
|
16 |
Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore)
|
8:10
|
17 |
Fidelio, op. 72: Act I, Scene II. “Marzelline!” - “Nein, ich will nicht ...” (Jaquino, Marzelline, Rocco, Leonore)
|
0:40
|
18 |
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
|
7:16
|
19 |
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f.
|
7:11
|
20 |
Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus)
|
4:02
|
|
CD 12
|
1 |
Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen”
|
11:28
|
2 |
Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” - Duet “Nur hurtig fort, nur frisch gegraben”
|
6:05
|
3 |
Fidelio, op. 72: Act II, Scene I. “Er erwacht”
|
1:16
|
4 |
Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten”
|
6:26
|
5 |
Fidelio, op. 72: Act II, Scene I. “Alles ist bereit”
|
0:32
|
6 |
Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder”
|
4:57
|
7 |
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!”
|
2:43
|
8 |
Fidelio, op. 72: Act II. Overture “Leonore III”
|
15:01
|
9 |
Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” - “Bestrafet sei der Bösewicht” - “O Gott! Welch ein Augenblick!” - “Wer ein holdes Weib errungen”
|
13:17
|
|
CD 13
|
1 |
Overture "Leonore no. 3", op. 72a
|
14:25
|
2 |
Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
|
20:00
|
3 |
Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
|
5:40
|
4 |
Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace)
|
10:08
|
|
CD 14
|
1 |
Symphony No.5 In C Minor, Op.67: 1. Allegro con brio
|
8:06
|
2 |
Symphony No.5 In C Minor, Op.67: 2. Andante con moto
|
10:25
|
3 |
Symphony No.5 In C Minor, Op.67: 3. Allegro
|
5:18
|
4 |
Symphony No.5 In C Minor, Op.67: 4. Allegro
|
11:14
|
|
CD 15
|
1 |
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
|
18:05
|
2 |
Symphony no. 9 in D minor, op. 125: II. Molto vivace
|
10:44
|
3 |
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
|
20:14
|
4 |
Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
|
28:57
|
|
CD 16
|
1 |
4 Sea Interludes: I. Dawn. Lento e tranquillo
|
3:41
|
2 |
4 Sea Interludes: II. Sunday Morning. Allegro spiritoso
|
4:02
|
3 |
4 Sea Interludes: III. Moonlight. Andante comodo e rubato
|
5:00
|
4 |
4 Sea Interludes: IV. Storm. Presto con fuoco
|
5:28
|
5 |
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
|
16:20
|
6 |
Symphony no. 7 in A major, op. 92: II. Allegretto
|
9:48
|
7 |
Symphony no. 7 in A major, op. 92: III. Presto
|
10:25
|
8 |
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
|
8:39
|
|
CD 17
|
1 |
Symphony no. 1 "Jeremiah": I. Prophecy. Largamente
|
7:15
|
2 |
Symphony no. 1 "Jeremiah": II. Profanation. Vivace con brio
|
6:53
|
3 |
Symphony no. 1 "Jeremiah": III. Lamentation. Lento
|
10:26
|
4 |
Chichester Psalms: Psalm 108 (verse 2); Psalm 100 (complete) - Maestoso ma energico - Allegro molto
|
3:37
|
5 |
Chichester Psalms: Psalm 23 (complete); Psalm 2 (verses 1-4)
|
5:36
|
6 |
Chichester Psalms: Psalm 131 (complete); Psalm 133 (verse 1)
|
9:45
|
7 |
Song Of Songs: 1. Awake, O north wind
|
7:04
|
8 |
Song Of Songs: 2. Come my beloved
|
7:56
|
9 |
Song Of Songs: 3. By night on my bed
|
7:56
|
10 |
Song Of Songs: 4. Set me as a seal
|
5:35
|
|
CD 18
|
1 |
Symphony no. 2 "The Age of Anxiety": Part I. The Prologue. Lento moderato
|
2:20
|
2 |
Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var. 1-7
|
8:14
|
3 |
Symphony no. 2 "The Age of Anxiety": Part I. The Seven Ages. Var 8-14
|
6:01
|
4 |
Symphony no. 2 "The Age of Anxiety": Part II. The Dirge. Largo
|
5:58
|
5 |
Symphony no. 2 "The Age of Anxiety": Part II. The Masque. Extremly fast
|
4:42
|
6 |
Symphony no. 2 "The Age of Anxiety": Part II. The Epilogue. L'istesso tempo - Adagio - Andante - Con moto
|
8:06
|
7 |
Symphony no. 3 "Kaddish": Invocation
|
2:59
|
8 |
Symphony no. 3 "Kaddish": Kaddish I
|
4:58
|
9 |
Symphony no. 3 "Kaddish": Din-Torah
|
5:57
|
10 |
Symphony no. 3 "Kaddish": Kaddish II
|
8:13
|
11 |
Symphony no. 3 "Kaddish": Scherzo (Kaddish III)
|
4:37
|
12 |
Symphony no. 3 "Kaddish": Finale (Kaddish III)
|
2:43
|
13 |
Symphony no. 3 "Kaddish": Allegro, con gioia (Kaddish III)
|
9:53
|
|
CD 19
|
1 |
Serenade after Plato’s “Symposium”: I. Phaedrus – Pausanias: Lento – Allegro marcato
|
6:44
|
2 |
Serenade after Plato’s “Symposium”: II. Aristophanes: Allegretto
|
4:11
|
3 |
Serenade after Plato’s “Symposium”: III. Eryximachus: Presto
|
1:30
|
4 |
Serenade after Plato’s “Symposium”: IV. Agathon: Adagio
|
6:31
|
5 |
Serenade after Plato’s “Symposium”: V. Socrates – Alcibiades: Molto tenuto – Allegro molto vivace
|
10:28
|
6 |
Fancy Free: Big Stuff (Blues)
|
0:36
|
7 |
Fancy Free: I. Opening Dance
|
3:05
|
8 |
Fancy Free: II. Scene at the Bar
|
1:49
|
9 |
Fancy Free: III. Enter Two Girls
|
2:51
|
10 |
Fancy Free: IV. Pas de Deux
|
3:18
|
11 |
Fancy Free: V. Competition Scene
|
3:18
|
12 |
Fancy Free: VI. Variation I: Galop
|
1:28
|
13 |
Fancy Free: VI. Variation II: Waltz
|
2:40
|
14 |
Fancy Free: VI. Variation III: Danzon
|
2:49
|
15 |
Fancy Free: VII. Finale
|
5:01
|
16 |
Fancy Free: Big Stuff (Blues)
|
1:55
|
|
CD 20
|
1 |
Dybbuk Suite No.1: 1. Invocation and Trance
|
4:55
|
2 |
Dybbuk Suite No.1: 2. The Pledge
|
4:36
|
3 |
Dybbuk Suite No.1: 3. Kabbalah
|
4:33
|
4 |
Dybbuk Suite No.1: 4. Possession
|
2:37
|
5 |
Dybbuk Suite No.1: 5. Pas de deux
|
5:29
|
6 |
Dybbuk Suite No.1: 6. Exorcism
|
8:23
|
7 |
Dybbuk Suite No.2: 1. The Messengers
|
2:06
|
8 |
Dybbuk Suite No.2: 2. Leah
|
3:01
|
9 |
Dybbuk Suite No.2: 3. 5 Kabbalah Variations
|
6:34
|
10 |
Dybbuk Suite No.2: 4. Dream
|
5:24
|
|
CD 21
|
1 |
Songfest: I. To the Poem
|
3:26
|
2 |
Songfest: II. The Pennycandystore Beyond the El
|
1:55
|
3 |
Songfest: III. A Julia de Burgos
|
3:34
|
4 |
Songfest: IV. To What You Said...
|
5:29
|
5 |
Songfest: V. I, Too, Sing America / Okay "Negroes"
|
3:51
|
6 |
Songfest: VI. To My Dear and Loving Husband
|
3:59
|
7 |
Songfest: VII. Storyette H. M.
|
1:55
|
8 |
Songfest: VIII. 'if you can't eat you got to'
|
2:24
|
9 |
Songfest: IX. Music I Heard With You
|
3:31
|
10 |
Songfest: X. Zizi's Lament
|
2:32
|
11 |
Songfest: XI. What lips my lips have kissed...
|
5:26
|
12 |
Songfest: XII. Israfel
|
4:31
|
|
CD 22
|
1 |
Divertimento for Orchestra: I. Sennets and Tuckets
|
1:18
|
2 |
Divertimento for Orchestra: II. Waltz
|
2:13
|
3 |
Divertimento for Orchestra: III. Mazurka
|
1:56
|
4 |
Divertimento for Orchestra: IV. Samba
|
0:59
|
5 |
Divertimento for Orchestra: V. Turkey Trot
|
1:56
|
6 |
Divertimento for Orchestra: VI. Sphinxes
|
0:52
|
7 |
Divertimento for Orchestra: VII. Blues
|
1:39
|
8 |
Divertimento for Orchestra: VIII. March: The BSO Forever
|
3:35
|
9 |
A Musical Toast (1980): Allegro con brio
|
2:17
|
10 |
Slava!
|
4:08
|
11 |
On the Town: Three Dance Episodes: I. "The Great Lover". Allegro pesante
|
1:50
|
12 |
On the Town: Three Dance Episodes: II. "Lonely Town". Pas de deux - Andante - Sostenuto
|
3:40
|
13 |
On the Town: Three Dance Episodes: III. "Times Square: 1944". Allegro
|
4:51
|
14 |
Facsimile: Choreographic Essay for Orchestra
|
19:14
|
|
CD 23
|
1 |
Halil (1981) Nocturne for Solo Flute, String Orchestra and Percussion
|
16:05
|
2 |
Three Meditations for Cello and Orchestra: I. Lento assai, molto sostenuto
|
4:34
|
3 |
Three Meditations for Cello and Orchestra II. Andante sostenuto / Variations I - IV / Coda
|
4:09
|
4 |
Three Meditations for Cello and Orchestra: III. Presto / Fast and primitive / Molto adagio
|
8:14
|
5 |
Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro
|
3:18
|
6 |
Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso - Presto come prima)
|
2:23
|
7 |
Symphonic Suite from On the Waterfront: III. Andante largamente - More Flowing - Lento
|
5:12
|
8 |
Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth
|
3:45
|
9 |
Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato
|
4:44
|
10 |
Symphonic Suite from On the Waterfront: VI. A tempo
|
2:19
|
11 |
Prelude, Fugue, and Riffs: I. Prelude (for the Brass). Fast and exact
|
1:53
|
12 |
Prelude, Fugue, and Riffs: II. Fugue (for the Saxes). Exactly the same beat
|
1:51
|
13 |
Prelude, Fugue, and Riffs: III. Riffs (for Everyone)
|
4:32
|
|
CD 24
|
1 |
Rhapsody in Blue
|
17:06
|
2 |
Prelude for Piano no. 2
|
4:20
|
3 |
Symphonic Dances from “West Side Story”: Prologue (Allegro moderato)
|
4:06
|
4 |
Symphonic Dances from “West Side Story”: “Somewhere” (Adagio)
|
4:35
|
5 |
Symphonic Dances from “West Side Story”: Scherzo (Vivace leggiero)
|
1:20
|
6 |
Symphonic Dances from “West Side Story”: Mambo (Presto)
|
2:21
|
7 |
Symphonic Dances from “West Side Story”: Cha‐Cha (Andantino con grazia)
|
0:55
|
8 |
Symphonic Dances from “West Side Story”: Meeting Scene (Meno mosso)
|
0:47
|
9 |
Symphonic Dances from “West Side Story”: “Cool” Fugue (Allegretto)
|
3:44
|
10 |
Symphonic Dances from “West Side Story”: Rumble (Molto allegro)
|
1:56
|
11 |
Symphonic Dances from “West Side Story”: Finale (Adagio)
|
3:16
|
|
CD 25
|
1 |
Tattoo: 1. Moderato Maestoso
|
10:04
|
2 |
Tattoo: 2. Moderato Maestoso - Omaggio a Nicolò Paganini
|
8:02
|
3 |
Violin Concerto: I. Twilight: Free and Spacious – attacca:
|
3:08
|
4 |
Violin Concerto: II. Toccata-Chaconne: Very Fast
|
3:17
|
5 |
Violin Concerto: III. Romance without Words: Hardly Moving
|
2:52
|
6 |
Violin Concerto: IV. Midnight: Slow
|
6:48
|
7 |
Violin Concerto: V. Toccata-Rondo: Very Fast
|
2:36
|
8 |
Violin Concerto: VI. Dawn: Wistful
|
4:56
|
9 |
Concerto for Orchestra 'Jubilee Games': 1. Free-Style Events: Allegro con brio, giocoso
|
7:27
|
10 |
Concerto for Orchestra 'Jubilee Games': Mixed Doubles: Theme and Seven Variations
|
10:30
|
11 |
Concerto for Orchestra 'Jubilee Games': Diaspora Dances: Vivace
|
6:13
|
12 |
Concerto for Orchestra 'Jubilee Games': Benediction: Moderato, invocando
|
5:50
|
|
CD 26
|
1 |
Candide: Overture
|
4:30
|
2 |
Candide: Act I, No. 1a. Westphalia Chorale
|
1:00
|
3 |
Candide: Act I, No. 2. Life Is Happiness Indeed
|
2:59
|
4 |
Candide: Act I, No. 3. The Best of All Possible Worlds
|
2:42
|
5 |
Candide: Act I, No. 3a. Universal Good
|
0:55
|
6 |
Candide: Act I, No. 4. Oh, Happy We
|
2:04
|
7 |
Candide: Act I, No. 5. It Must Be So (Candide’s Meditation)
|
2:15
|
8 |
Candide: Act I, No. 6. Westphalia
|
0:54
|
9 |
Candide: Act I, No. 6a. Battle Music
|
0:55
|
10 |
Candide: Act I, No. 7. Candide’s Lament
|
6:21
|
11 |
Candide: Act I, No. 8. Dear Boy
|
4:20
|
12 |
Candide: Act I, No. 9. Auto‐da‐fé
|
7:55
|
13 |
Candide: Act I, No. 10. Candide Begins His Travels / Act I, No. 10a. It Must Be Me
|
3:13
|
14 |
Candide: Act I, No. 11. The Paris Waltz
|
3:18
|
15 |
Candide: Act I, No. 12. Glitter and Be Gay
|
6:48
|
16 |
Candide: Act I, No. 13. You Were Dead, You Know
|
3:01
|
17 |
Candide: Act I, No. 14. I Am Easily Assimilated (Old Lady’s Tango)
|
4:13
|
18 |
Candide: Act I, No. 15. Quartet Finale
|
3:25
|
|
CD 27
|
1 |
Candide: Act II, No. 16. Universal Good
|
1:07
|
2 |
Candide: Act II, No. 17. My Love (Governor’s Serenade)
|
2:29
|
3 |
Candide: Act II, No. 18. We Are Women (Polka)
|
3:34
|
4 |
Candide: Act II, No. 19. The Pilgrims’ Procession – Alleluia
|
2:41
|
5 |
Candide: Act II, No. 20. Quiet
|
4:18
|
6 |
Candide: Act II, No. 21. Introduction to Eldorado
|
1:17
|
7 |
Candide: Act II, No. 22. The Ballad of Eldorado
|
3:47
|
8 |
Candide: Act II, No. 23. Words, Words, Words (Martin’s Laughing Song)
|
3:11
|
9 |
Candide: Act II, No. 24. Bon Voyage
|
2:43
|
10 |
Candide: Act II, No. 25. The Kings’ Barcarolle
|
3:53
|
11 |
Candide: Act II, No. 26. Money, Money, Money (Venice Gambling Scene)
|
0:44
|
12 |
Candide: Act II, No. 27. What’s the Use
|
4:30
|
13 |
Candide: Act II, No. 28. The Venice Gavotte
|
4:26
|
14 |
Candide: Act II, No. 29. Nothing More Than This
|
4:03
|
15 |
Candide: Act II, No. 30. Universal Good (Life Is Neither)
|
2:23
|
16 |
Candide: Act II, No. 31. Make Our Garden Grow (Finale)
|
5:41
|
|
CD 28
|
1 |
West Side Story: No. 1: Prologue
|
4:07
|
2 |
West Side Story: No. 2: Jet Song
|
3:13
|
3 |
West Side Story: No. 3: Something’s Coming
|
2:35
|
4 |
West Side Story: No. 4: The Dance at the Gym: Blues
|
1:46
|
5 |
West Side Story: No. 4: The Dance at the Gym: Promenade
|
0:27
|
6 |
West Side Story: No. 4: The Dance at the Gym: Mambo
|
2:23
|
7 |
West Side Story: No. 4: The Dance at the Gym: Cha‐Cha
|
0:53
|
8 |
West Side Story: No. 4: The Dance at the Gym: Meeting Scene
|
1:27
|
9 |
West Side Story: No. 4: The Dance at the Gym: Jump
|
0:51
|
10 |
West Side Story: No. 5: Maria
|
2:58
|
11 |
West Side Story: No. 6: Balcony Scene (Tonight)
|
7:33
|
12 |
West Side Story: No. 7: America
|
4:49
|
13 |
West Side Story: No. 8: Cool
|
4:40
|
14 |
West Side Story: No. 9: One Hand, One Heart
|
5:40
|
15 |
West Side Story: No. 10: Tonight (Ensemble)
|
3:43
|
16 |
West Side Story: No. 11: The Rumble
|
3:03
|
17 |
West Side Story: No. 12: I Feel Pretty
|
3:25
|
18 |
West Side Story: No. 13: Ballet Sequence: Beginning
|
1:06
|
19 |
West Side Story: Ballet Sequence: Transition to Scherzo
|
0:29
|
20 |
West Side Story: Ballet Sequence: Scherzo
|
1:31
|
21 |
West Side Story: Ballet Sequence: Somewhere
|
2:37
|
22 |
West Side Story: Ballet Sequence: Procession and Nightmare
|
3:14
|
23 |
West Side Story: No. 14: Gee, Officer Krupke!
|
4:20
|
24 |
West Side Story: No. 15: A Boy Like That
|
2:06
|
25 |
West Side Story: I Have a Love
|
3:30
|
26 |
West Side Story: No. 16: Taunting Scene
|
1:25
|
27 |
West Side Story: No. 17: Finale
|
2:36
|
|
CD 29
|
1 |
A Quiet Place: Act 1: Prolog
|
4:07
|
2 |
A Quiet Place: Act 1: Dialogues "I'm sorry Bill"
|
17:57
|
3 |
A Quiet Place: Act 1: Readings, Chorale
|
6:56
|
4 |
A Quiet Place: Act 1: Aria "You're Late"
|
4:47
|
5 |
A Quiet Place: Act 1: Trio "Dear Daddy"
|
3:45
|
6 |
A Quiet Place: Act 1: Finale "Merry Christmas"
|
2:34
|
7 |
A Quiet Place: Act 1: Postlude
|
4:54
|
8 |
A Quiet Place: Act 2: Scene1 "I Wish I Could Sleep"
|
2:48
|
9 |
A Quiet Place: Act 2: Scene2 Trouble in Tahiti (I) "Dop-Daa-Day-Day-"
|
3:32
|
10 |
A Quiet Place: Act 2: Trouble in Tahiti (I) "How Could You Say"
|
5:55
|
11 |
A Quiet Place: Act 2: Trouble in Tahiti (I) "Yes? Oh, Mr. Partridge!"
|
3:02
|
12 |
A Quiet Place: Act 2: Trouble in Tahiti (I) "I Was Standing In A Garden"
|
8:09
|
13 |
A Quiet Place: Act 2: Trouble in Tahiti (I) "Well, Of All People"
|
6:25
|
|
CD 30
|
1 |
A Quiet Place: Act 2, Scene 3: June twelfth
|
5:43
|
2 |
A Quiet Place: Act 2, Scene 3: But first I'd like to sing you a little song
|
2:14
|
3 |
A Quiet Place: Act 2, Scene 3: Quartett "My God Dinah"
|
4:50
|
4 |
A Quiet Place: Act 2, Scene 3: Love Scene "There is so much. Too much"
|
6:59
|
5 |
A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) "Skid a lit day"
|
1:58
|
6 |
A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law
|
4:02
|
7 |
A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) What a movie!
|
5:00
|
8 |
A Quiet Place: Act 2, Scene 4: Trouble in Tahiti (II) There's a law"
|
8:10
|
9 |
A Quiet Place: Act 3: Prelude
|
5:51
|
10 |
A Quiet Place: Act 3, Scene: Morning! Good morning
|
3:57
|
11 |
A Quiet Place: Act 3, Scene: The one and only cereal
|
3:51
|
12 |
A Quiet Place: Act 3, Scene: You're...it!
|
5:34
|
13 |
A Quiet Place: Act 3, Scene: Hmm. Bye bye
|
7:31
|
14 |
A Quiet Place: Act 3, Scene: My heart shall be... thy...garden
|
8:20
|
|
CD 31
|
1 |
Carmen : Prélude
|
4:20
|
2 |
Carmen : Acte I. « Sur la place, chacun passe » (Les Soldats, Moralès)
|
6:02
|
3 |
Carmen : Acte I. No. 2. March and Chorus of Urchins « Allez, dépêchez‐vous ! » … « Avec la garde montante » (Moralès, Chorus of Urchins, Zuniga, Don José)
|
4:32
|
4 |
Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José)
|
0:46
|
5 |
Carmen : Acte I. No. 3. Chorus and Scene « Voici la cloche qui sonne » … « La cloche a sonné » (Don José, Chorus)
|
6:05
|
6 |
Carmen : Acte I. « Mais nous ne voyons pas la Carmencita » (Chorus, Carmen)
|
1:13
|
7 |
Carmen : Acte I. No. 4. Habanera « L’amour est un oiseau rebelle » (Carmen, Chorus)
|
4:51
|
8 |
Carmen : Acte I. No. 5. Scene « Carmen, sur tes pas » (Chorus)
|
2:28
|
9 |
Carmen : Acte I. « Monsieur le brigadier ? » (Micaëla, Don José) / No. 6. Duet « Parle‐moi de ma mère ! » (Don José, Micaëla)
|
9:24
|
10 |
Carmen : Acte I. « Attends un peu maintenant » (Don José, Micaëla)
|
0:21
|
11 |
Carmen : Acte I. No. 7. Chorus « Eh bien ! Qu’est‐ce‐qui arrive ? » … « Au secours ! » (Chorus, Zuniga)
|
3:39
|
12 |
Carmen : Acte I. « Eh bien, brigadier ? » (Zuniga, Don José) / No. 8. Chanson and Melodrama « Tra la la la … » (Carmen, Zuniga, Chorus, Don José)
|
4:01
|
13 |
Carmen : Acte I. No. 9. Chanson and Duet « Près des remparts de Séville » (Carmen, Don José)
|
4:56
|
14 |
Carmen : Acte I. No. 10. Finale: « Le lieutenant ! Prenez garde ! » … « L’amour est enfant de bohème » (Don José, Zuniga, Carmen)
|
2:38
|
15 |
Carmen : Acte I. Entr’acte
|
1:43
|
16 |
Carmen : Acte II. No. 11. Chanson « Les tringles des sistres tintaient » (Carmen, Frasquita, Mercédès)
|
4:50
|
17 |
Carmen : Acte II. « Mon Dieu, messieurs, il commence à se faire tard » (Pastia, Zuniga, Mercédès, Carmen)
|
0:35
|
18 |
Carmen : Acte II. No. 12. Chorus and Ensemble « Vivat le toréro ! » (Chorus, Zuniga, Mercédès, Frasquita, Pastia)
|
1:26
|
19 |
Carmen : Acte II. No. 13 Couplets « Votre toast… Je peux vous le rendre »
|
5:32
|
20 |
Carmen : Acte II. « Dis‐moi ton nom » (Escamillo, Carmen, Pastia, Zuniga)
|
0:41
|
21 |
Carmen : Acte II. No. 13bis. Chorus « Toréador, en garde »
|
1:07
|
22 |
Carmen : Acte II. « Eh bien, vite, quelles nouvelles ? » (Frasquita, Dancaïre, Remendado, Mercédès)
|
0:30
|
23 |
Carmen : Acte II. No. 14. Quintet « Nous avons en tête une affaire ! » (Dancaïre, Frasquita, Mercédès, Carmen, Remendado)
|
4:27
|
24 |
Carmen : Acte II. « Amoureuse … ce n’est pas une raison, cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / No. 15. Chanson: “Halte‐là! Qui va là?” (Don José) / “Écoutez, le voilà” (Carmen, Mercédès, Remendado, Dancaïre)
|
3:15
|
|
CD 32
|
1 |
Carmen : Acte II. No. 16. Duet « Je vais danser en votre honneur » (Carmen, Don José)
|
6:03
|
2 |
Carmen : Acte II. « La fleur que tu m’avais jetée » (Don José)
|
4:30
|
3 |
Carmen : Acte II. « Non, tu ne m’aimes pas ! » (Carmen, Don José)
|
4:30
|
4 |
Carmen : Acte II. No. 17. Finale « Holà ! Carmen ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Chorus)
|
5:25
|
5 |
Carmen : Acte II. Entr’acte
|
3:01
|
6 |
Carmen : Acte III. No. 18. Introduction « Écoute, compagnon … Notre métier est bon » (Chorus, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
|
4:26
|
7 |
Carmen : Acte III. « Voyons, Carmen … faisons la paix » (Don José, Carmen)
|
0:47
|
8 |
Carmen : Acte III. No. 19. Trio « Mêlons ! Coupons ! » (Frasquita, Mercédès, Carmen)
|
2:54
|
9 |
Carmen : Acte III. « Carreau, pique … la mort ! » … « En vain pour éviter les réponses amères » (Carmen)
|
3:54
|
10 |
Carmen : Acte III. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen)
|
0:44
|
11 |
Carmen : Acte III. « Holà, les belles ! » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José)
|
0:52
|
12 |
Carmen : Acte III. No. 20. Ensemble « Quant au douanier » (Frasquita, Mercédès, Carmen, Chorus)
|
3:37
|
13 |
Carmen : Acte III. No. 21. Aria « Je dis que rien ne m’épouvante » (Micaëla)
|
5:22
|
14 |
Carmen : Acte III. « Qui va là ? » (Don José) / No. 22. Duet « Je suis Escamillo » (Escamillo, Don José)
|
3:47
|
15 |
Carmen : Acte III. No. 23. Finale « Holà ! Holà ! José! » (Carmen, Escamillo, Dancaïre, Don José, Chorus, Micaëla)
|
3:15
|
16 |
Carmen : Acte III. « Moi ? Je viens te chercher » (Micaëla, Carmen, Don José, Chorus, Escamillo
|
5:06
|
17 |
Carmen : Acte III. Entr’acte
|
2:24
|
18 |
Carmen : Acte IV. No. 24. Chorus « À deux cuartos ! »
|
2:15
|
19 |
Carmen : Acte IV. No. 25. Chorus and Scene « Les voici ! Voici la quadrille » (Chorus)
|
4:16
|
20 |
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Chorus)
|
2:06
|
21 |
Carmen : Acte IV. « Carmen, un bon conseil » (Frasquita, Carmen, Mercédès)
|
1:53
|
22 |
Carmen : Acte IV. No. 26. Final Duet « C’est toi ! » – « C’est moi ! » (Carmen, Don José, Chorus)
|
9:13
|
|
CD 33
|
1 |
Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro
|
17:35
|
2 |
Symphony no. 1 in C minor, op. 68: II. Andante sostenuto
|
10:58
|
3 |
Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso
|
5:37
|
4 |
Symphony no. 1 in C minor, op. 68: IV. Adagio - Allegro non troppo ma con brio
|
17:54
|
|
CD 34
|
1 |
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
|
20:45
|
2 |
Symphony no. 2 in D major, op. 73: II. Adagio non troppo - L'Istesso tempo, ma grazioso
|
12:01
|
3 |
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) - Presto ma non assai - Tempo I
|
5:33
|
4 |
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
|
10:06
|
5 |
Academic Festival Overture, op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso
|
10:21
|
|
CD 35
|
1 |
Symphony no. 3 in F major, op. 90: I. Allegro con brio
|
15:33
|
2 |
Symphony no. 3 in F major, op. 90: II. Andante
|
9:41
|
3 |
Symphony no. 3 in F major, op. 90: III. Poco allegretto
|
7:04
|
4 |
Symphony no. 3 in F major, op. 90: IV. Allegro
|
9:33
|
5 |
Variations on a Theme by Joseph Haydn, op. 56a
|
20:25
|
|
CD 36
|
1 |
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
|
13:17
|
2 |
Symphony no. 4 in E minor, op. 98: II. Andante moderato
|
12:40
|
3 |
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
6:11
|
4 |
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro
|
11:35
|
5 |
Tragic Overture, op. 81
|
14:15
|
|
CD 37
|
1 |
Konzert für Klavier und Orchester Nr. 1 d‐Moll, op. 15: 1. Maestoso
|
24:39
|
2 |
Konzert für Klavier und Orchester Nr. 1 d‐Moll, op. 15: 2. Adagio
|
16:28
|
3 |
Konzert für Klavier und Orchester Nr. 1 d‐Moll, op. 15: 3. Rondo. Allegro non troppo
|
12:59
|
|
CD 38
|
1 |
Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
|
18:18
|
2 |
Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
|
9:21
|
3 |
Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
|
14:36
|
4 |
Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegretto grazioso
|
9:04
|
|
CD 39
|
1 |
Concerto for Violin and Orchestra in D major, op. 77: I. Allegro non troppo (cadenza: Max Reger)
|
22:10
|
2 |
Concerto for Violin and Orchestra in D major, op. 77: II. Adagio
|
8:54
|
3 |
Concerto for Violin and Orchestra in D major, op. 77: III. Allegro giocoso, ma non troppo vivace
|
7:21
|
4 |
Concerto for Violin, Cello and Orchestra in A minor, op. 102: I. Allegro
|
17:56
|
5 |
Concerto for Violin, Cello and Orchestra in A minor, op. 102: II. Andante
|
8:23
|
6 |
Concerto for Violin, Cello and Orchestra in A minor, op. 102: III. Vivace non troppo
|
8:54
|
|
CD 40
|
1 |
Symphony no. 9 in D minor: I. Feierlich, misterioso
|
26:58
|
2 |
Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell
|
12:14
|
3 |
Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich
|
26:56
|
|
CD 41
|
1 |
Appalachian Spring
|
26:36
|
2 |
American Festival Overture
|
9:23
|
3 |
Adagio for Strings, op. 11/2
|
10:01
|
4 |
Candide: Overture
|
4:20
|
|
CD 42
|
1 |
Symphony no. 3: I. Molto moderato
|
11:03
|
2 |
Symphony no. 3: II. Allegro molto
|
8:04
|
3 |
Symphony no. 3: III. Andantino quasi allegretto
|
10:27
|
4 |
Symphony no. 3: IV. Molto deliberato (Fanfare) -- Allegro risoluto
|
13:54
|
5 |
Quiet City for Cor Anglais, Trumpet and Strings
|
10:45
|
|
CD 43
|
1 |
El Salón México
|
12:08
|
2 |
Concerto for Clarinet - Slowly & Expressively
|
9:37
|
3 |
Concerto for Clarinet - Rather fast
|
8:15
|
4 |
Music for the Theatre: I. Prologue
|
6:27
|
5 |
Music for the Theatre: II. Dance: Allegro molto
|
3:29
|
6 |
Music for the Theatre: III. Interlude: Lento moderato
|
5:47
|
7 |
Music for the Theatre: IV. Burlesque: Allegro vivo
|
3:40
|
8 |
Music for the Theatre: V. Epilogue: Moderato - Molto moderato - Lento molto
|
4:04
|
9 |
Connotations for Orchestra
|
20:28
|
|
CD 44
|
1 |
Images pour orchestre: I. Gigues
|
8:35
|
2 |
Images pour orchestre: III. Rondes de printemps
|
8:15
|
3 |
Images pour orchestre: IIa. Ibéria: Par les rues et par les chemins
|
7:18
|
4 |
Images pour orchestre: IIb. Ibéria: Les Parfums de la nuit
|
8:48
|
5 |
Images pour orchestre: IIc. Ibéria: Le Matin d'un jour de fête
|
4:40
|
6 |
Prélude à l'après-midi d'un faune
|
11:43
|
7 |
La Mer: I. De l'aube à midi sur la mer
|
9:47
|
8 |
La Mer: II. Jeux de vagues
|
7:30
|
9 |
La Mer: III. Dialogue du vent et de la mer
|
9:16
|
|
CD 45
|
1 |
Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: I. Adagio – Allegro molto
|
12:30
|
2 |
Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: II. Largo
|
18:22
|
3 |
Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: III. Scherzo. Molto vivace
|
7:06
|
4 |
Symphonie nr. 9 e‐Moll, op. 95 »Aus der Neuen Welt«: IV. Allegro con fuoco
|
12:09
|
5 |
Slawische Tänze, op. 46 nr. 1 C‐Dur: Presto
|
4:21
|
6 |
Slawische Tänze, op. 46 nr. 3 As‐Dur: Poco allegro
|
5:54
|
7 |
Slawische Tänze, op. 46 nr. 8 g‐Moll: Presto
|
4:34
|
|
CD 46
|
1 |
Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro
|
16:33
|
2 |
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio, ma no troppo
|
13:20
|
3 |
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
|
13:35
|
4 |
Schelomo: Lento moderato - Andante moderato - Allegro moderato - Andante moderato
|
24:37
|
|
CD 47
|
1 |
Variations on an Original Theme 'Enigma', op. 36: Enigma. Andante
|
1:59
|
2 |
Variations on an Original Theme "Enigma", op. 36: I. (C.A.E.) L'istesso tempo
|
2:19
|
3 |
Variations on an Original Theme "Enigma", op. 36: II. (H.D.S.-P.) Allegro
|
0:46
|
4 |
Variations on an Original Theme "Enigma", op. 36: III. (R.B.T.) Allegretto
|
1:25
|
5 |
Variations on an Original Theme "Enigma", op. 36: IV. (W.M.B.) Allegro di molto
|
0:30
|
6 |
Variations on an Original Theme "Enigma", op. 36: V. (R.P.A.) Moderato
|
2:32
|
7 |
Variations on an Original Theme "Enigma", op. 36: VI. (Ysobel) Andantino
|
1:22
|
8 |
Variations on an Original Theme "Enigma", op. 36: VII. (Troyte) Presto
|
0:57
|
9 |
Variations on an Original Theme "Enigma", op. 36: VIII. (W.N.) Allegretto
|
2:30
|
10 |
Variations on an Original Theme "Enigma", op. 36: IX. (Nimrod) Adagio
|
6:08
|
11 |
Variations on an Original Theme "Enigma", op. 36: X. Intermezzo (Dorabella) Allegretto
|
3:01
|
12 |
Variations on an Original Theme "Enigma", op. 36: XI. (G.R.S.) Allegro di molto
|
1:01
|
13 |
Variations on an Original Theme "Enigma", op. 36: XII. (B.G.N.) Andante
|
3:29
|
14 |
Variations on an Original Theme "Enigma", op. 36: XIII. Romanza (***) Moderato
|
3:25
|
15 |
Variations on an Original Theme "Enigma", op. 36: XIV. Finale (E.D.U.) Allegro - Presto
|
6:14
|
16 |
Pomp and Circumstance, op. 39: No. 1 in D major
|
6:41
|
17 |
Pomp and Circumstance, op. 39: No. 2 in A minor
|
5:12
|
18 |
The Crown of India, op. 66: March of the Mogul Emperors
|
4:00
|
|
CD 48
|
1 |
Symphonie en ré mineur: I. Lento - Allegro non troppo
|
19:21
|
2 |
Symphonie en ré mineur: II. Allegretto -
|
11:23
|
3 |
Symphonie en ré mineur: III. Allegro non troppo
|
11:37
|
4 |
Le rouet d'omphale
|
9:23
|
5 |
Symphonie no. 3 en sol mineur, op. 42: I. Allegro vivo
|
6:12
|
6 |
Symphonie no. 3 en sol mineur, op. 42: II. Adagio
|
11:10
|
7 |
Symphonie no. 3 en sol mineur, op. 42: III. Vivace
|
3:10
|
8 |
Symphonie no. 3 en sol mineur, op. 42: IV. Allegro con spirito
|
6:25
|
|
CD 49
|
1 |
Symphony no. 3
|
18:28
|
2 |
Symphony no. 3, Part I: Passacaglia
|
6:48
|
3 |
Symphony no. 3, Part I: Fugue
|
6:52
|
4 |
Symphony no. 3, Part II: Chorale
|
10:48
|
5 |
Symphony no. 3, Part II: Toccata
|
7:53
|
|
CD 50
|
1 |
Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro
|
9:16
|
2 |
Symphony no. 88 in G major, Hob. I:88: II. Largo
|
7:20
|
3 |
Symphony no. 88 in G major, Hob. I:88: III. Menuetto: Allegretto
|
4:23
|
4 |
Symphony no. 88 in G major, Hob. I:88: IV. Finale: Allegretto con spirito
|
3:29
|
5 |
Symphony no. 92 in G major, Hob.I:92 "Oxford": I. Adagio - Allegro spiritoso
|
8:01
|
6 |
Symphony no. 92 in G major, Hob.I:92 "Oxford": II. Adagio
|
7:59
|
7 |
Symphony no. 92 in G major, Hob.I:92 "Oxford": III. Menuet. Allegretto
|
6:16
|
8 |
Symphony no. 92 in G major, Hob.I:92 "Oxford": IV. Finale. Presto
|
5:42
|
|
CD 51
|
1 |
Symphony no. 94 in G major, Hob. I:94 "Surprise" I. Adagio. Vivace assai
|
9:08
|
2 |
Symphony no. 94 in G major, Hob. I:94 "Surprise" II. Andante
|
6:33
|
3 |
Symphony no. 94 in G major "Surprise": Menuet (Allegro molto - Trio - Menuet)
|
5:28
|
4 |
Symphony no. 94 in G major, Hob. I:94 "Surprise" IV. Finale. Allegro di molto
|
3:48
|
5 |
Sinfonia concertante in B-flat major, Hob. I:105: I. Allegro
|
9:29
|
6 |
Sinfonia concertante in B-flat major, Hob. I:105: II. Andante
|
5:46
|
7 |
Sinfonia concertante in B-flat major, Hob. I:105: III. Allegro con spirito
|
6:04
|
|
CD 52
|
1 |
Die Schöpfung: Erster Teil: Der Erste Tag: I. Die Vorstellung des Chaos
|
6:41
|
2 |
Die Schöpfung: Erster Teil: Der Erste Tag: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde
|
3:10
|
3 |
Die Schöpfung: Erster Teil: Der Erste Tag: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle
|
4:19
|
4 |
Die Schöpfung: Erster Teil: Der Zweite Tag: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament
|
2:10
|
5 |
Die Schöpfung: Erster Teil: Der Zweite Tag: V. Solo mit Chor: Mit staunen sieht das Wunderwerk
|
1:57
|
6 |
Die Schöpfung: Erster Teil: Der Dritte Tag: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser
|
0:51
|
7 |
Die Schöpfung: Erster Teil: Der Dritte Tag: VII. Rollend in schäumenden Wellen
|
3:53
|
8 |
Die Schöpfung: Erster Teil: Der Dritte Tag: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor
|
0:42
|
9 |
Die Schöpfung: Erster Teil: Der Dritte Tag: IX. Arie: Nun beut die Flur das frische Grun
|
5:59
|
10 |
Die Schöpfung: Erster Teil: Der Dritte Tag: X. Rezitativ: Und die himmlischen Heerscharen verkündigten
|
0:16
|
11 |
Die Schöpfung: Erster Teil: Der Dritte Tag: XI. Chor: Stimmt an die Saiten
|
2:09
|
12 |
Die Schöpfung: Erster Teil: Der Vierte Tag: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels
|
0:52
|
13 |
Die Schöpfung: Erster Teil: Der Vierte Tag: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt
|
3:06
|
14 |
Die Schöpfung: Erster Teil: Der Vierte Tag: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
|
5:15
|
15 |
Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor
|
0:34
|
16 |
Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz
|
7:33
|
17 |
Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische
|
2:22
|
18 |
Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen
|
0:25
|
19 |
Die Schöpfung: Zweiter Teil: Der Fünfe Tag: XIX. Terzett und Chor: In holder Anmut stehn
|
7:41
|
|
CD 53
|
1 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe
|
0:34
|
2 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß
|
3:42
|
3 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXII. Arie: Nun scheint in vollem Glanze der Himmel
|
3:19
|
4 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIII. Rezitativ: Und Gott schuf den Menschen
|
1:00
|
5 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXIV. Arie: Mit Würd' und Hoheit angetan
|
3:56
|
6 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXV. Rezitativ: Und Gott sah jedes Ding
|
0:32
|
7 |
Die Schöpfung: Zweiter Teil: Der Sechste Tag: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
|
10:11
|
8 |
Die Schöpfung: Dritter Teil: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht
|
6:01
|
9 |
Die Schöpfung: Dritter Teil: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott
|
10:30
|
10 |
Die Schöpfung: Dritter Teil: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt
|
2:33
|
11 |
Die Schöpfung: Dritter Teil: XXX. Duett: Holde Gattin, dir zur Seite
|
9:45
|
12 |
Die Schöpfung: Dritter Teil: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort
|
0:28
|
13 |
Die Schöpfung: Dritter Teil: XXXII. Chor: Singt dem Herren alle Stimmen
|
3:41
|
|
CD 54
|
1 |
Symphony No.102 In B Flat Major, Hob.I:102: 1. Largo - Vivace
|
9:25
|
2 |
Symphony No.102 In B Flat Major, Hob.I:102: 2. Adagio
|
7:19
|
3 |
Symphony No.102 In B Flat Major, Hob.I:102: 3. Menuetto (Allegro)
|
6:19
|
4 |
Symphony No.102 In B Flat Major, Hob.I:102: 4. Finale. Presto
|
4:57
|
5 |
Missa in tempore belli, Hob. XXII:9: Kyrie.
|
5:33
|
6 |
Missa in tempore belli, Hob. XXII:9: Gloria. Gloria inexcelsis Deo
|
2:33
|
7 |
Missa in tempore belli, Hob. XXII:9: Gloria. Qui tollia peccata mundi.
|
6:56
|
8 |
Missa in tempore belli, Hob. XXII:9: Gloria. Quoniam tu solus sanctus Cum Sanctus Spiritu
|
2:16
|
9 |
Missa in tempore belli, Hob. XXII:9: Credo. Crdo in unum Deum.
|
1:30
|
10 |
Missa in tempore belli, Hob. XXII:9: Credo. Et incarnatus est.
|
5:10
|
11 |
Missa in tempore belli, Hob. XXII:9: Credo. Et resurrexit tertia est.
|
2:02
|
12 |
Missa in tempore belli, Hob. XXII:9: Credo. Et vitam venturi saeculi.
|
2:28
|
13 |
Missa in tempore belli, Hob. XXII:9: Sanctus. Sanctu, Sanctus, Sanctus Dominus.
|
2:56
|
14 |
Missa in tempore belli, Hob. XXII:9: Benedictus. Benedictus qui venit in nomine Domini
|
7:10
|
15 |
Missa in tempore belli, Hob. XXII:9: Agnus Dei, Agnus Dei,qui tollis peccata mundi.
|
6:45
|
|
CD 55
|
1 |
Symphonie "Mathis der Maler": I. Engelskonzert
|
9:02
|
2 |
Symphonie "Mathis der Maler": II. Grablegung
|
4:46
|
3 |
Symphonie "Mathis der Maler": III. Versuchung des Heiligen Antonius
|
14:16
|
4 |
Konzertmusik für Streichorchester und Blechbläser op. 50 - Erster Teil: I. Mäßig schnell, mit Kraft
|
5:30
|
5 |
Konzertmusik für Streichorchester und Blechbläser op. 50 - Erster Teil: II. Sehr breit, aber stets fließend
|
4:08
|
6 |
Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Teil: III. Lebhaft
|
2:08
|
7 |
Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Tei: IV. Langsam
|
3:09
|
8 |
Konzertmusik für Streichorchester und Blechbläser op. 50 - Zweiter Tei: V. Im ersten Zeitmaß - Lebhaft
|
3:20
|
9 |
Symphonic Metamorphosis on Themes of Carl Maria von Weber: Allegro
|
4:05
|
10 |
Symphonic Metamorphosis on Themes of Carl Maria von Weber: "Turandot - Scherzo": Moderato - Lebhalt
|
7:22
|
11 |
Symphonic Metamorphosis on Themes of Carl Maria von Weber: Andantino
|
4:23
|
12 |
Symphonic Metamorphosis on Themes of Carl Maria von Weber: Marsch
|
4:42
|
|
CD 56
|
1 |
Symphony no. 2: 1. Andante moderato
|
6:16
|
2 |
Symphony no. 2: 2. Allegro
|
11:06
|
3 |
Symphony no. 2: 3. Adagio cantabile
|
11:42
|
4 |
Symphony no. 2: 4. Lento maestoso
|
3:05
|
5 |
Symphony no. 2: 5. Allegro molto vivace
|
10:05
|
6 |
The Gong on the Hook and Ladder or Fireman’s Parade on Main Street
|
2:16
|
7 |
Tone Roads no. 1
|
3:17
|
8 |
Hymn: Largo Cantabile
|
3:43
|
9 |
Hallowe’en
|
1:56
|
10 |
Central Park in the Dark
|
7:11
|
11 |
The Unanswered Question
|
6:07
|
|
CD 57
|
1 |
Eine Faust-Symphonie: I. Faust
|
29:41
|
2 |
Eine Faust-Symphonie: II. Gretchen
|
23:02
|
3 |
Eine Faust-Symphonie: III. Mephistopheles / Schlußchor "Alles Vergängliche ist nur ein Gleichnis"
|
24:20
|
|
CD 58
|
1 |
Mefistofele: Prologo in cielo: I. Tempo. Preludio e coro
|
9:52
|
2 |
Mefistofele: Prologo in cielo: II. Tempo. Scherzo strumentale “Ave, Signor”
|
4:15
|
3 |
Mefistofele: Prologo in cielo: Intermezzo dramatico “T’è noto Faust?”
|
3:15
|
4 |
Mefistofele: Prologo in cielo: III. Tempo. Scherzo vocale ”Siam nimbi – volanti – dai limbi”
|
2:04
|
5 |
Mefistofele: Prologo in cielo: IV. Salmodia finale “Salve Regina! S’innalzi un’eco”
|
6:06
|
|
CD 59
|
1 |
Symphony no. 1 in D major, "Titan": I. Langsam. Schleppend
|
16:23
|
2 |
Symphony no. 1 in D major, "Titan": II. Kräftig bewegt
|
8:55
|
3 |
Symphony no. 1 in D major, "Titan": III. Feierlich und gemessen, ohne zu schleppen
|
10:25
|
4 |
Symphony no. 1 “Titan”: IV. Stürmisch bewegt
|
20:09
|
|
CD 60
|
1 |
Symphonie No. 2 c-moll: Ia. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
|
7:01
|
2 |
Symphonie No. 2 c-moll: Ib. Sehr mäßig und zurückhaltend
|
5:50
|
3 |
Symphonie No. 2 c-moll: Ic. Schnell
|
3:44
|
4 |
Symphonie No. 2 c-moll: Id. Tempo I
|
4:46
|
5 |
Symphonie No. 2 c-moll: Ie. Tempo sostenuto
|
3:33
|
6 |
Symphonie No. 2 c-moll: IIa. Andante moderato. Sehr gemächlich
|
1:45
|
7 |
Symphonie No. 2 c-moll: IIb. Nicht eilen. Sehr gemächlich
|
1:48
|
8 |
Symphonie No. 2 c-moll: IIc. In Tempo I zurückkehren
|
2:04
|
9 |
Symphonie No. 2 c-moll: IId. Energisch bewegt
|
2:26
|
10 |
Symphonie No. 2 c-moll: IIe: Wieder ins Tempo zurückgehen. Tempo I
|
4:03
|
|
CD 61
|
1 |
Symphonie No. 2 c-moll: IIIa. In ruhig fließender Bewegung
|
5:01
|
2 |
Symphonie No. 2 c-moll: IIIb. Sehr getragen und gesangvoll
|
1:28
|
3 |
Symphonie No. 2 c-moll: IIIc. Zum Tempo I zurückkehren
|
4:56
|
4 |
Symphonie No. 2 c-moll: IV. "Urlicht" Sehr leicht, aber schlicht "O Röschen rot"
|
6:18
|
5 |
Symphonie No. 2 c-moll: Va. Im Tempo des Scherzos. Wild herausfahrend
|
1:45
|
6 |
Symphonie No. 2 c-moll: Vb: Langsam
|
4:00
|
7 |
Symphonie No. 2 c-moll: Vc. Im Anfang sehr zuückhaltend
|
1:19
|
8 |
Symphonie No. 2 c-moll: Vd. Wieder sher breit
|
3:41
|
9 |
Symphonie No. 2 c-moll: Ve. Molto ritenuto. Maestoso
|
4:16
|
10 |
Symphonie No. 2 c-moll: Vf. Wieder zurückhaltend
|
3:59
|
11 |
Symphonie No. 2 c-moll: Vg. Sehr langsam und gedehnt
|
2:48
|
12 |
Symphonie No. 2 c-moll: Vh. Langsam. Misterioso "Auferstehn, ja auferstehn wirst du"
|
4:10
|
13 |
Symphonie No. 2 c-moll: Vi. Langsam ppp. Nicht schleppen "Wieder aufzublühn wirst du gesät"
|
3:57
|
14 |
Symphonie No. 2 c-moll: Vj. Etwas bewegter "O glaube, mein Herz o glaube"
|
3:34
|
15 |
Symphonie No. 2 c-moll: Vk. Mit Aufschwung, aber nicht eilen "O Schmerz, du Alldurchdringer"
|
5:10
|
|
CD 62
|
1 |
Symphonie no. 3 d-moll: Ia. Kräftig. Entschieden
|
5:41
|
2 |
Symphonie no. 3 d-moll: Ib. Immer das gleiche Tempo
|
4:12
|
3 |
Symphonie no. 3 d-moll: Ic.Tempo I
|
4:46
|
4 |
Symphonie no. 3 d-moll: Id. Zeit lassen
|
2:16
|
5 |
Symphonie no. 3 d-moll: Ie. Zeit lassen
|
4:09
|
6 |
Symphonie no. 3 d-moll: If. Immer dasselbe Tempo (Marsch). Nicht eilen
|
3:11
|
7 |
Symphonie no. 3 d-moll: Ig. Im alten Marschtempo (Allegro Moderato)
|
5:36
|
8 |
Symphonie no. 3 d-moll: Ih. Tempo I
|
4:54
|
9 |
Symphonie no. 3 d-moll: IIa. Tempo di Menuetto. Sehr mässig
|
2:13
|
10 |
Symphonie no. 3 d-moll: IIb. L'istesso tempo
|
1:04
|
11 |
Symphonie no. 3 d-moll: IIc. A tempo (Wie im Anfang)
|
3:43
|
12 |
Symphonie no. 3 d-moll: IId. Ganz plötzlich gemächlich. Tempo di Menuetto
|
3:37
|
13 |
Symphonie no. 3 d-moll: IIIa. Comodo. Scherzando. Ohne Hast
|
2:42
|
14 |
Symphonie no. 3 d-moll: IIIb. Wieder sehr gemächlich, wir zu Anfang
|
2:57
|
15 |
Symphonie no. 3 d-moll: IIIc. Etwas zurückhaltend
|
5:34
|
16 |
Symphonie no. 3 d-moll: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
|
2:47
|
17 |
Symphonie no. 3 d-moll: IIIe. Wieder sehr gemächlich, beinahe langsam
|
4:33
|
|
CD 63
|
1 |
Symphonie no. 3 d-moll: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!"
|
4:49
|
2 |
Symphonie no. 3 d-moll: IVb. Più mosso subito
|
4:45
|
3 |
Symphony no. 3 in D minor: V. Lustig im Tempo und Ausdruck
|
4:04
|
4 |
Symphonie no. 3 d-moll: VIa. Langsam. Ruhevoll. Empfunden
|
5:04
|
5 |
Symphonie no. 3 d-moll: VIb. Nicht mehr so breit
|
3:37
|
6 |
Symphonie no. 3 d-moll: VIc. Tempo I. Ruhevoll
|
3:45
|
7 |
Symphonie no. 3 d-moll: VId. Nicht mehr so breit
|
4:36
|
8 |
Symphonie no. 3 d-moll: VIe. Tempo I
|
3:18
|
9 |
Symphonie no. 3 d-moll: VIf. Langsam. Tempo I
|
7:41
|
|
CD 64
|
1 |
Symphony no. 4 in G major: I. Bedächtig, nicht eilen
|
17:35
|
2 |
Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
|
10:08
|
3 |
Symphony no. 4 in G major: III. Ruhevoll
|
20:32
|
4 |
Symphony no. 4 in G major: IV. Sehr behaglich
|
8:44
|
|
CD 65
|
1 |
Symphony no. 5 in C‐sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
|
14:32
|
2 |
Symphony no. 5 in C‐sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
|
14:59
|
3 |
Symphony no. 5 in C‐sharp minor: III. Scherzo. Kräftig, nicht zu schnell
|
19:01
|
4 |
Symphony no. 5 in C‐sharp minor: IV. Adagietto. Sehr langsam
|
11:13
|
5 |
Symphony no. 5 in C‐sharp minor: V. Rondo‐Finale. Allegro – Allegro giocoso. Frisch
|
15:00
|
|
CD 66
|
1 |
Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig
|
23:10
|
2 |
Symphony No. 6 A-moll: II. Scherzo. Wuchtig
|
14:10
|
3 |
Symphony No. 6 A-moll: III. Andante moderato
|
16:18
|
|
CD 67
|
1 |
Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico
|
33:06
|
|
CD 68
|
1 |
Symphony no. 7: Ia. Langsam (Adagio)
|
2:16
|
2 |
Symphony no. 7: Ib. Nicht schleppen
|
1:23
|
3 |
Symphony no. 7: Ic. Allegro risoluto, ma non troppo
|
1:24
|
4 |
Symphony no. 7: Id. A tempo (sempre l'istesso)
|
2:23
|
5 |
Symphony no. 7: Ie(i). Moderato
|
1:39
|
6 |
Symphony no. 7: Ie(ii). Moderato
|
4:29
|
7 |
Symphony no. 7: If. Adagio (Tempo der Einleitung)
|
2:26
|
8 |
Symphony no. 7: Ig. Allegro come prima
|
1:51
|
9 |
Symphony no. 7: Ih. Poco ritenuto --- a tempo
|
1:39
|
10 |
Symphony no. 7: Ii. Nicht eilen
|
2:10
|
11 |
Symphony no. 7: IIa. Nachtmusik. Allegro moderato
|
3:59
|
12 |
Symphony no. 7: IIb. Sempre l'istesso tempo
|
3:52
|
13 |
Symphony no. 7: IIc. Poco meno mosso
|
3:14
|
14 |
Symphony no. 7: IId(i). Tempo
|
1:52
|
15 |
Symphony no. 7: IId(ii). Tempo
|
1:29
|
16 |
Symphony no. 7: IIe. Sehr gemessen
|
2:45
|
|
CD 69
|
1 |
Symphony no. 7: IIIa. Scherzo. Schattenhaft
|
3:21
|
2 |
Symphony no. 7: IIIb. Trio
|
2:38
|
3 |
Symphony no. 7: IIIc. Wieder wie zu Anfang
|
4:33
|
4 |
Symphony no. 7: IVa(i). Nachtmusik. Andante amoroso
|
6:34
|
5 |
Symphony no. 7: IVa(ii). Nachtmusik. Andante amoroso
|
3:00
|
6 |
Symphony no. 7: IVb. Tempo I. poco rit.
|
5:08
|
7 |
Symphony no. 7: Va. Rondo-Finale. Tempo I (Allegro ordinario)
|
1:45
|
8 |
Symphony no. 7: Vb. Sempre l'istesso tempo
|
1:13
|
9 |
Symphony no. 7: Vc. Tempo II (Allegro moderato ma energico)
|
2:56
|
10 |
Symphony no. 7: Vd(i). Tempo I
|
2:41
|
11 |
Symphony no. 7: Vd(ii). Tempo I
|
2:40
|
12 |
Symphony no. 7: Ve. Tempo I subito
|
1:12
|
13 |
Symphony no. 7: Vf. Meno mosso (Tempo II)
|
3:51
|
14 |
Symphony no. 7: Vg. Accelerando
|
2:02
|
|
CD 70
|
1 |
Symphony No. 10 in F-sharp minor: Ia. Adagio. Andante
|
3:47
|
2 |
Symphony No. 10 in F-sharp minor: Ib. Adagio. Andante come prima
|
6:11
|
3 |
Symphony No. 10 in F-sharp minor: Ic. Adagio. [ ]
|
6:06
|
4 |
Symphony No. 10 in F-sharp minor: Id. Adagio. [ ]
|
3:20
|
5 |
Symphony No. 10 in F-sharp minor: Ie. Adagio. Andante
|
6:33
|
6 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”
|
1:26
|
7 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”
|
3:16
|
8 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro impetuoso) “Infirma nostri corporis”
|
2:45
|
9 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)
|
1:13
|
10 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als vorher. Nicht schleppend “Infirma nostri corporis”
|
3:15
|
11 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzcheim Aufschwung “Accende lumen sensibus”
|
4:24
|
12 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: “Veni, creator spiritus”
|
4:27
|
13 |
Symphony no. 8, Part I. Hymus “Veni, creator spiritus”: a tempo “Gloria sit Patri Domino”
|
3:19
|
|
CD 71
|
1 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIa. Poco adagio
|
6:23
|
2 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIb. Più mosso. (Allegro moderato)
|
3:05
|
3 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIc. Wieder langsam. Chor und Echo: "Waldung, sie schwankt heran"
|
4:32
|
4 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IId. Moderato. "Ewiger Wonnebrand"
|
1:36
|
5 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIe. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu Füßen"
|
4:30
|
6 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIf. Allegro deciso. (Im Anfang noch nicht eilen) - "Gerettet ist das edle Glied" - "Hände verschlinget euch"
|
1:06
|
7 |
Symphony No. 8, Part II. Final Scene from Goetheʼs “Faust”: Molto leggiero, Chor der jüngeren Engel: “Jene Rosen aus den Händen”
|
1:50
|
8 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIh. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
|
2:23
|
9 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIi. Im Anfang (die ersten vier Takte) noch etwas gehalten: "Ich spür' soeben, nebelnd um Felsenhöh'" "Freudig empfangen wir"
|
1:22
|
10 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIj. Sempre l'istesso tempo. "Höchste Herrscherin der Welt"
|
4:24
|
11 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIk. Äußerst langsam. Adagissimo. "Dir, der Unberührbaren" "Du schwebst zu Höhen er ewigen Reiche"
|
3:56
|
12 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIl. Fließend "Bei der Liebe, die den Füßen" "Bei dem Bronn, zu dem schon weiland" " Bei dem hochgeweihten Orte"
|
4:51
|
13 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIm. Una poenitentium: "Neige, du Ohnegleichte"
|
1:18
|
14 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIn. Unmerklich frischer: "Er überwächst uns schon" "Vom edlen Geisterchor umgebren"
|
3:52
|
15 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIo. Mater gloriosa: "Komm! hebe dich zu hähern Sphären" "Blicket auf zum Retterblick alle reuig Zarten"
|
7:24
|
16 |
Symphonie No. 8 eis-moll: Zweiter teil: Schlußszene aus Goethes "Faust II": IIp. Sehr langsam beginnend "Alles Vergängliche ist nur ein Gleichnis"
|
6:24
|
|
CD 72
|
1 |
Symphonie no. 9: I. Satz. Andante comodo: [Takt 1]
|
15:02
|
2 |
Symphonie no. 9: I. Satz. Andante comodo: (Horneinsatz)
|
3:03
|
3 |
Symphonie no. 9: I. Satz. Andante comodo: Bewegter
|
1:32
|
4 |
Symphonie no. 9: I. Satz. Andante comodo: [Takt 317]
|
1:45
|
5 |
Symphonie no. 9: I. Satz. Andante comodo: Wie von Anfang
|
2:01
|
6 |
Symphonie no. 9: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise
|
6:29
|
7 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1]
|
2:37
|
8 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.)
|
2:50
|
9 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III.
|
1:58
|
10 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II.
|
3:32
|
11 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I.
|
1:22
|
12 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II.
|
1:44
|
13 |
Symphonie no. 9: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito
|
3:22
|
|
CD 73
|
1 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1]
|
1:46
|
2 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
|
1:06
|
3 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo
|
1:17
|
4 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo
|
1:21
|
5 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347]
|
2:26
|
6 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz)
|
1:37
|
7 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito
|
1:29
|
8 |
Symphonie no. 9: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto
|
0:46
|
9 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1]
|
4:59
|
10 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd
|
2:34
|
11 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito
|
2:33
|
12 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio)
|
4:09
|
13 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten
|
1:46
|
14 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend
|
2:08
|
15 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio
|
6:01
|
16 |
Symphonie no. 9: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo
|
5:31
|
|
CD 74
|
1 |
Symphony no. 9: I. Andante comodo
|
27:37
|
2 |
Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
|
15:54
|
3 |
Symphony no. 9: III. Rondo-Burleske: Allegro assai. Sehr trotzig
|
12:05
|
4 |
Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
|
26:11
|
|
CD 75
|
1 |
Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde
|
8:29
|
2 |
Das Lied von der Erde: 2. Der Einsame im Herbst
|
11:21
|
3 |
Das Lied von der Erde: 3. Von der Jugend
|
3:09
|
4 |
Das Lied von der Erde: 4. Von der Schönheit
|
8:09
|
5 |
Das Lied von der Erde: 5. Der Trunkene um Frühling
|
4:40
|
6 |
Das Lied von der Erde: 6. Der Abschied
|
31:00
|
|
CD 76
|
1 |
Des Knaben Wunderhorn: 1. Der Schildwache Nachtlied
|
6:02
|
2 |
Des Knaben Wunderhorn: 2. Wer hat dies Liedlein erdacht?
|
2:12
|
3 |
Des Knaben Wunderhorn: 3. Der Tamboursg’sell
|
5:14
|
4 |
Des Knaben Wunderhorn: 4. Das irdische Leben
|
2:52
|
5 |
Des Knaben Wunderhorn: 5. Verlorne Müh’
|
3:00
|
6 |
Des Knaben Wunderhorn: 6. Des Antonius von Padua Fischpredigt
|
3:37
|
7 |
Des Knaben Wunderhorn: 7. Revelge
|
6:43
|
8 |
Des Knaben Wunderhorn: 8. Rheinlegendchen
|
3:33
|
9 |
Des Knaben Wunderhorn: 9. Lob des hohen Verstandes
|
2:32
|
10 |
Des Knaben Wunderhorn: 10. Wo die schönen Trompeten blasen
|
8:26
|
11 |
Des Knaben Wunderhorn: 11. Lied des Verfolgten im Turm
|
4:35
|
12 |
Des Knaben Wunderhorn: 12. Trost im Unglück
|
2:25
|
13 |
Des Knaben Wunderhorn: 13. Urlicht
|
5:43
|
|
CD 77
|
1 |
Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
|
4:25
|
2 |
Lieder eines fahrenden Gesellen: 2. Ging heutʼ morgen übers Feld
|
4:07
|
3 |
Lieder eines fahrenden Gesellen: 3. Ich habʼ ein glühend Messer
|
3:20
|
4 |
Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
|
5:34
|
5 |
Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn
|
5:58
|
6 |
Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen
|
5:11
|
7 |
Kindertotenlieder: 3. Wenn dein Mütterlein
|
6:03
|
8 |
Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen
|
3:31
|
9 |
Kindertotenlieder: 5. In diesem Wetter, in diesem Braus
|
7:24
|
10 |
5 Lieder: 1. Liebst du um Schönheit
|
2:44
|
11 |
5 Lieder: 2. Blicke mir nicht in die Lieder
|
1:30
|
12 |
5 Lieder: 3. Ich atmetʼ einen linden Duft
|
3:00
|
13 |
5 Lieder: 5. Um Mitternacht
|
7:23
|
14 |
5 Lieder: 6. Ich bin der Welt abhanden gekommen
|
7:47
|
|
CD 78
|
1 |
Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo
|
9:55
|
2 |
Symphony no. 3 in A minor, op. 56 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
|
13:55
|
3 |
Symphony no. 3 in A minor, op. 56 "Scottish": II. Vivace non troppo
|
4:08
|
4 |
Symphony no. 3 in A minor, op. 56 "Scottish": III. Adagio
|
11:17
|
5 |
Symphony no. 3 in A minor, op. 56 "Scottish": IV. Allegro vivacissimo
|
9:56
|
|
CD 79
|
1 |
Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace
|
10:45
|
2 |
Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto
|
6:46
|
3 |
Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato
|
6:54
|
4 |
Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello. Presto
|
5:52
|
5 |
Symphony no. 5 in D minor, op. 107 "Reformation": I. Andante - Allegro con fuoco
|
11:38
|
6 |
Symphony no. 5 in D minor, op. 107 "Reformation": II. Allegro vivace
|
6:26
|
7 |
Symphony no. 5 in D minor, op. 107 "Reformation": III. Andante
|
3:48
|
8 |
Symphony no. 5 in D minor, op. 107 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
|
9:06
|
|
CD 80
|
1 |
Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato
|
8:07
|
2 |
Symphony no. 29 in A major, K. 186a/201: II. Andante
|
6:51
|
3 |
Symphony no. 29 in A major, K. 186a/201: III. Minuetto & Trio
|
3:26
|
4 |
Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito
|
5:07
|
5 |
Symphony no. 25 in G minor, K. 173dB/183: I. Allegro con brio
|
8:09
|
6 |
Symphony no. 25 in G minor, K. 173dB/183: II. Andante
|
4:09
|
7 |
Symphony no. 25 in G minor, K. 173dB/183: III. Minuetto & Trio
|
3:50
|
8 |
Symphony no. 25 in G minor, K. 173dB/183: IV. Allegro
|
5:56
|
9 |
Concerto for Clarinet in A major, K. 622: I. Allegro
|
12:38
|
10 |
Concerto for Clarinet in A major, K. 622: II. Adagio
|
8:14
|
11 |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
|
8:55
|
|
CD 81
|
1 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": I. Allegro con spirito
|
5:41
|
2 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": II. Andante
|
7:08
|
3 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": III. Minuetto & Trio
|
3:15
|
4 |
Symphony no. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto
|
3:36
|
5 |
Symphony no. 41 in C major "Jupiter", K. 551: 1. Allegro vivace
|
11:55
|
6 |
Symphony no. 41 in C major "Jupiter", K. 551: 2. Andante cantabile
|
9:07
|
7 |
Symphony no. 41 in C major "Jupiter", K. 551: 3. Menuetto. Allegretto
|
5:14
|
8 |
Symphony No. 41 in C major, K. 551 “Jupiter”: IV. Allegro molto
|
11:38
|
|
CD 82
|
1 |
Symphony no. 36 for Orchestra in C major, K. 425 "Linz": I. Adagio - allegro spiritoso
|
11:10
|
2 |
Symphony No. 36 for Orchestra in C major, K. 425 "Linz": II. Andante
|
7:55
|
3 |
Symphony no. 36 for Orchestra in C major, K. 425 "Linz": III. Minuetto & Trio
|
3:45
|
4 |
Symphony no. 36 for Orchestra in C major, K. 425 "Linz": IV. Presto
|
7:21
|
5 |
Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - Allegro
|
13:28
|
6 |
Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante
|
9:08
|
7 |
Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Presto
|
8:39
|
|
CD 83
|
1 |
Symphonie Nr. 39 in Es‐dur, KV 543: I. Adagio — Allegro
|
11:20
|
2 |
Symphonie Nr. 39 in Es‐dur, KV 543: II. Andante con moto
|
9:18
|
3 |
Symphonie Nr. 39 in Es‐dur, KV 543: III. Menuetto. Allegretto
|
4:05
|
4 |
Symphonie Nr. 39 in Es‐dur, KV 543: IV. Finale. Allegro
|
7:58
|
5 |
Symphonie Nr. 40 in g‐moll, KV 550: I. Molto allegro
|
8:29
|
6 |
Symphonie Nr. 40 in g‐moll, KV 550: II. Andante
|
8:13
|
7 |
Symphonie Nr. 40 in g‐moll, KV 550: III. Menuetto. Allegretto
|
4:49
|
8 |
Symphonie Nr. 40 in g‐moll, KV 550: IV. Allegro assai
|
9:13
|
|
CD 84
|
1 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
|
11:21
|
2 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante]
|
7:35
|
3 |
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
|
8:17
|
4 |
Symphony no. 36 “Linz”: I. Adagio -Allegro spiritoso
|
11:00
|
5 |
Symphony no. 36 “Linz”: II. Andante
|
7:59
|
6 |
Symphony no. 36 “Linz”: III. Menuetto
|
3:43
|
7 |
Symphony no. 36 “Linz”: IV. Presto
|
8:00
|
|
CD 85
|
1 |
Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro
|
12:52
|
2 |
Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante
|
12:32
|
3 |
Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto
|
8:01
|
4 |
Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente
|
8:36
|
5 |
Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai
|
10:48
|
6 |
Concerto for Piano and Orchestra in G major, M. 83: III. Presto
|
4:38
|
|
CD 86
|
1 |
Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus", KV618
|
3:56
|
2 |
Exsultate, jubilate, KV165
|
14:24
|
3 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 "Great": I. "Kyrie"
|
7:40
|
4 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
|
2:08
|
5 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
|
4:59
|
6 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
|
1:36
|
7 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
|
2:48
|
8 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
|
5:16
|
9 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
|
4:03
|
10 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe"
|
0:52
|
11 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"
|
3:40
|
12 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"
|
3:58
|
13 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
|
7:46
|
14 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna"
|
3:21
|
15 |
Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
|
4:56
|
|
CD 87
|
1 |
Requiem in D minor, K. 626: I. Requiem (Introitus)
|
6:39
|
2 |
Requiem in D minor, K. 626: II. Kyrie
|
2:44
|
3 |
Requiem in D minor, K. 626: IIIa. Dies irae (Sequenz)
|
1:44
|
4 |
Requiem in D minor, K. 626: IIIb. Tuba mirum (Sequenz)
|
4:30
|
5 |
Requiem in D minor, K. 626: IIIc. Rex tremendae (Sequenz)
|
2:42
|
6 |
Requiem in D minor, K. 626: IIId. Recordare (Sequenz)
|
5:43
|
7 |
Requiem in D minor, K. 626: IIIe. Confutatis (Sequenz)
|
2:22
|
8 |
Requiem in D minor, K. 626: IIIf. Lacrimosa (Sequenz)
|
5:38
|
9 |
Requiem in D minor, K. 626: IVa. Domine Jesu (Offertorium)
|
3:30
|
10 |
Requiem in D minor, K. 626: IVb. Hostias (Offertorium)
|
4:02
|
11 |
Requiem in D minor, K. 626: V. Sanctus
|
1:50
|
12 |
Requiem in D minor, K. 626: VI. Benedictus
|
5:17
|
13 |
Requiem in D minor, K. 626: VII. Agnus Dei
|
4:54
|
14 |
Requiem in D minor, K. 626: VIII. Lux aeterna (Communio)
|
6:51
|
|
CD 88
|
1 |
La bohème: Atto I. “Questo Mar Rosso mi ammolisce e assidera”
|
4:45
|
2 |
La bohème: Atto I. "Pensier profondo"
|
1:08
|
3 |
La bohème: Atto I. "Abbasso, abbasso l'autor!"
|
4:01
|
4 |
La bohème: Atto I. "Si può?"
|
5:40
|
5 |
La bohème: Atto I. "Io resto"
|
0:57
|
6 |
La bohème: Atto I. "Non sono in vena"
|
1:42
|
7 |
La bohème: Atto I. "Si sente meglio"
|
2:49
|
8 |
La bohème: Atto I. "Che gelida manina"
|
5:14
|
9 |
La bohème: Atto I. "Sì. Mi chiamano Mimì"
|
5:23
|
10 |
La bohème: Atto I. "Ehi! Rodolfo!"
|
0:46
|
11 |
La bohème: Atto I. "O soave fanciulla"
|
4:25
|
12 |
La bohème: Atto II. "Aranci, datteri! Caldi i marroni!"
|
3:10
|
13 |
La bohème: Atto II. "Chi guardi?"
|
0:51
|
14 |
La bohème: Atto II. "Questa è Mimì"
|
2:26
|
15 |
La bohème: Atto II. "Viva Parpignol!"
|
2:00
|
16 |
La bohème: Atto II. "Allegri e un toast!"
|
3:39
|
17 |
La bohème: Atto II. "Quando men vo soletta per la via"
|
5:51
|
18 |
La bohème: Atto II. "Il conto?!"
|
2:35
|
|
CD 89
|
1 |
La bohème: Atto III. "Ohè, là, le guardie!"
|
3:33
|
2 |
La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria"
|
1:45
|
3 |
La bohème: Atto III. "Mimì! - Speravo di trovarvi qui"
|
4:56
|
4 |
La bohème: Atto III. "Marcello. Finalmente!"
|
1:53
|
5 |
La bohème: Atto III. "Mimì è una civetta"
|
1:24
|
6 |
La bohème: Atto III. "Mimì è tanto malata"
|
1:54
|
7 |
La bohème: Atto III. "Mimì di serra è fiore"
|
1:38
|
8 |
La bohème: Atto III. "Donde lieta usci"
|
3:14
|
9 |
La bohème: Atto III. "Dunque è proprio finita!"
|
6:04
|
10 |
La bohème: Atto IV. "In un coupé? - Con pariglia e livree"
|
1:32
|
11 |
La bohème: Atto IV. "O Mimì, tu più non torni"
|
3:13
|
12 |
La bohème: Atto IV. "Che ora sia?"
|
2:35
|
13 |
La bohème: Atto IV. "Gavotta! - Minuetto!"
|
1:39
|
14 |
La bohème: Atto IV. "C'è Mimì"
|
6:20
|
15 |
La bohème: Atto IV. "Vecchia zimarra, senti"
|
2:39
|
16 |
La bohème: Atto IV. "Sono andati? Fingevo di dormire"
|
6:22
|
17 |
La bohème: Atto IV. "Oh Dio! Mimì!"
|
2:58
|
18 |
La bohème: Atto IV. "Che ha detto il medico?"
|
3:02
|
|
CD 90
|
1 |
Symphony no. 8 in B minor "Unfinished": I. Allegro moderato
|
13:45
|
2 |
Symphony no. 8 in B minor "Unfinished": II. Andante con moto
|
12:51
|
3 |
Symphony no. 5 in B flat major: I. Allegro
|
7:14
|
4 |
Symphony no. 5 in B flat major: II. Andante con moto
|
11:12
|
5 |
Symphony no. 5 in B flat major: III. Menuetto. Allegro molto - Trio
|
5:37
|
6 |
Symphony no. 5 in B flat major: IV. Allegro vivace
|
5:36
|
|
CD 91
|
1 |
Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo
|
13:25
|
2 |
Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto
|
14:37
|
3 |
Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio
|
10:39
|
4 |
Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace
|
11:28
|
|
CD 92
|
1 |
Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
|
11:30
|
2 |
Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca:
|
7:47
|
3 |
Symphony no. 1 in B‐flat major, op. 38 "Spring": III. Scherzo: Molto vivace
|
5:45
|
4 |
Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso
|
8:13
|
5 |
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:)
|
11:48
|
6 |
Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam - (attacca:)
|
5:13
|
7 |
Symphony no. 4 in D minor, op. 120: III. Scherzo: Lebhaft - Trio - (attacca:)
|
5:54
|
8 |
Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft
|
9:29
|
|
CD 93
|
1 |
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro, ma non troppo
|
12:59
|
2 |
Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace
|
6:58
|
3 |
Symphony no. 2 in C major, op. 61: III. Adagio espressivo
|
13:47
|
4 |
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
|
8:44
|
5 |
Konzert für Violoncello und Orchester a-Moll, op. 129: I. Nicht zu schnell
|
11:48
|
6 |
Konzert für Violoncello und Orchester a-Moll, op. 129: II. Langsam
|
4:41
|
7 |
Konzert für Violoncello und Orchester a-Moll, op. 129: III. Sehr lebhaft
|
7:53
|
|
CD 94
|
1 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": I. Lebhaft
|
9:43
|
2 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig
|
6:26
|
3 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": III. Nicht schnell
|
6:10
|
4 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": IV. Feierlich - (quasi attacca:)
|
6:57
|
5 |
Symphony no. 3 in E-flat major, op. 97 "Rhenish": V. Lebhaft
|
5:28
|
6 |
Konzert für Klavier und Orchester a-Moll, op. 54: I. Allegro affettuoso
|
15:08
|
7 |
Konzert für Klavier und Orchester a-Moll, op. 54: II. Intermezzo. Andantino grazioso, attacca
|
5:50
|
8 |
Konzert für Klavier und Orchester a-Moll, op. 54: III. Allegro vivace
|
10:28
|
|
CD 95
|
1 |
Symphony no. 1 in F minor, op. 10: 1. Allegretto - Allegro non troppo
|
8:54
|
2 |
Symphony no. 1 in F minor, op. 10: 2. Allegro
|
4:47
|
3 |
Symphony no. 1 in F minor, op. 10: 3. Lento - Largo
|
10:19
|
4 |
Symphony no. 1 in F minor, op. 10: 4. Allegro molto - Lento - Allegro molto - Adagio - Largo - Presto
|
10:37
|
5 |
Symphony no. 7 in C major "Leningrad", op. 60: 1. Allegretto
|
31:43
|
|
CD 96
|
1 |
Symphony no. 7 in C major "Leningrad", op. 60: 2. Moderato (poco allegretto)
|
14:50
|
2 |
Symphony no. 7 in C major "Leningrad", op. 60: 3. Adagio
|
19:25
|
3 |
Symphony no. 7 in C major "Leningrad", op. 60: 4. Allegro non troppo
|
18:52
|
|
CD 97
|
1 |
Symphony no. 6 op. 54: I. Largo
|
22:29
|
2 |
Symphony no. 6 op. 54: II. Allegro
|
7:52
|
3 |
Symphony no. 6 op. 54: III. Presto
|
7:32
|
4 |
Symphony no. 9 op. 70: I. Allegro
|
5:21
|
5 |
Symphony no. 9 op. 70: I. II. Moderato
|
9:19
|
6 |
Symphony no. 9 op. 70: I. III. Presto
|
3:25
|
7 |
Symphony no. 9 op. 70: I. IV. Largo
|
3:15
|
8 |
Symphony no. 9 op. 70: I. V. Allegretto
|
5:49
|
|
CD 98
|
1 |
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
|
11:56
|
2 |
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento)
|
11:06
|
3 |
Symphony no. 1 in E minor, op. 39: III. Scherzo (Allegro)
|
5:31
|
4 |
Symphony no. 1 in E minor, op. 39: IV. Finale (Quasi una fantasia)
|
12:47
|
|
CD 99
|
1 |
Symphony no. 2 in D major, op. 43: I. Allegretto
|
10:55
|
2 |
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato
|
18:03
|
3 |
Symphony no. 2 in D major, op. 43: III. Vivacissimo (attacca)
|
6:23
|
4 |
Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
|
15:57
|
|
CD 100
|
1 |
Symphony no. 5 in E-flat major, op. 82: Ia. Tempo molto moderato - Largamente -
|
9:41
|
2 |
Symphony no. 5 in E-flat major, op. 82: Ib. Allegro moderato - Presto
|
5:34
|
3 |
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
|
10:03
|
4 |
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai
|
10:15
|
5 |
Symphony no. 7 in C, op. 105: Adagio
|
8:18
|
6 |
Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo
|
3:13
|
7 |
Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all'
|
2:27
|
8 |
Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato -
|
4:37
|
9 |
Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I
|
6:19
|
|
CD 101
|
1 |
Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan”
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17:17
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2 |
Salome, op. 54, TrV 215: Tanz der sieben Schleier
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9:38
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3 |
5 Lieder mit Orchesterbegleitung, op. 27 no. 2, TrV 170: Cäcilie
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1:58
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4 |
5 Lieder mit Orchesterbegleitung, op. 41 no. 1, TrV 195: Wiegenlied
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4:18
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5 |
5 Lieder mit Orchesterbegleitung, op. 37 no. 2, TrV 187: Ich liebe dich
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2:13
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6 |
Songs for Voice and Orchestra: Morgen, op. 27 no. 4
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3:45
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7 |
Songs for Voice and Orchestra: Zueignung, op. 10 no. 1
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1:35
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CD 102
|
1 |
L'Oiseau de feu Suite (1919 version): Introduction
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3:35
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2 |
L'Oiseau de feu Suite (1919 version): The Firebird and its Dance
|
0:15
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3 |
L'Oiseau de feu Suite (1919 version): Variation of the Firebird
|
1:19
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4 |
L'Oiseau de feu Suite (1919 version): The Princensess' Round
|
5:34
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5 |
L'Oiseau de feu Suite (1919 version): Infernal Dance of King Kashchei
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4:18
|
6 |
L'Oiseau de feu Suite (1919 version): Lullaby
|
3:54
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7 |
L'Oiseau de feu Suite (1919 version): Finale
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3:26
|
8 |
Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato
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2:14
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9 |
Pulcinella Suite: II. Serenata: Larghetto
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2:57
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10 |
Pulcinella Suite: III. Scherzino / Allegro / Andantino
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4:39
|
11 |
Pulcinella Suite: IV. Tarantella (88 bpm)
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1:59
|
12 |
Pulcinella Suite: V. Toccata: Allegro
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0:58
|
13 |
Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato
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4:07
|
14 |
Pulcinella Suite: VII. Vivo
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1:26
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15 |
Pulcinella Suite: VIII. Minuetto / Finale
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4:17
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CD 103
|
1 |
Pétrouchka: Tableau I. Fête populaire de la semaine grasse
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7:09
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2 |
Pétrouchka: Tableau I. Le tour de passe-passe – Danse russe
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2:46
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3 |
Pétrouchka: Tableau II. Chez Petrouchka
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4:17
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4 |
Pétrouchka: Tableau III. Chez le Maure – Danse de la Ballerine
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3:26
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5 |
Pétrouchka: Tableau III. Valse: La Ballerine et le Maure
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3:18
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6 |
Pétrouchka: Tableau IV. Fête populaire de la semaine grasse (vers le soir)
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1:05
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7 |
Pétrouchka: Tableau IV. Danse des nounous
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2:39
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8 |
Pétrouchka: Tableau IV. L'ours et un paysan
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1:28
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9 |
Pétrouchka: Tableau IV. Un marchand fêtard avec deux tziganes
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1:10
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10 |
Pétrouchka: Tableau IV. Danse des cochers et des palefreniers
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2:06
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11 |
Pétrouchka: Tableau IV. Les déguisés
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1:28
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12 |
Pétrouchka: Tableau IV. La rixe: Le Maure et Petrouchka
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0:45
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13 |
Pétrouchka: Tableau IV. Mort de Petrouchka
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0:44
|
14 |
Pétrouchka: Tableau IV. La police et le charlatan
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1:15
|
15 |
Pétrouchka: Tableau IV. Apparition du double de Petrouchka
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0:49
|
16 |
Scènes de ballet: Introduction
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1:00
|
17 |
Scènes de ballet: Danses (Corps de ballet)
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3:37
|
18 |
Scènes de ballet: Variation (Ballerine)
|
1:08
|
19 |
Scènes de ballet: Pantomime
|
2:20
|
20 |
Scènes de ballet: Pas de deux
|
3:02
|
21 |
Scènes de ballet: Pantomime
|
0:44
|
22 |
Scènes de ballet: Variation (Danseur)
|
1:25
|
23 |
Scènes de ballet: Variation (Ballerine)
|
1:16
|
24 |
Scènes de ballet: Pantomime
|
0:33
|
25 |
Scènes de ballet: Danses (Corps de ballet)
|
1:13
|
26 |
Scènes de ballet: Apothéose
|
2:19
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|
CD 104
|
1 |
Le Sacre du printemps: Partie I. Introduction
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3:29
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2 |
Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes)
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3:15
|
3 |
Le Sacre du printemps: Partie I. Jeu du rapt
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1:21
|
4 |
Le Sacre du printemps: Partie I. Rondes printanières
|
3:47
|
5 |
Le Sacre du printemps: Partie I. Jeux des cités rivales
|
1:56
|
6 |
Le Sacre du printemps: Partie I. Cortège du Sage
|
0:42
|
7 |
Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage)
|
0:22
|
8 |
Le Sacre du printemps: Partie I. Danse de la Terre
|
1:12
|
9 |
Le Sacre du printemps: Partie II. Introduction
|
5:28
|
10 |
Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes
|
3:50
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11 |
Le Sacre du printemps: Partie II. Glorification de l'élue
|
1:40
|
12 |
Le Sacre du printemps: Partie II. Évocation des ancêtres
|
0:55
|
13 |
Le Sacre du printemps: Partie II. Action rituelle des ancêtres
|
4:14
|
14 |
Le Sacre du printemps: Partie II. Danse sacrale (L'élue)
|
4:44
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|
CD 105
|
1 |
Symphony in C: I. Moderato alla breve
|
9:29
|
2 |
Symphony in C: II. Larghetto concertante
|
6:15
|
3 |
Symphony in C: III. Allegretto
|
5:03
|
4 |
Symphony in C: IV. Largo - Tempo giusto, alla breve
|
7:26
|
5 |
Symphony in Three Movements: I. Overture. Allegro
|
10:01
|
6 |
Symphony in Three Movements: II. Andante
|
6:13
|
7 |
Symphony in Three Movements: II. Interlude. L'istesso tempo
|
0:24
|
8 |
Symphony in Three Movements: III. Con moto
|
6:06
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|
CD 106
|
1 |
Les Noces: I. La Tresse
|
5:18
|
2 |
Les Noces: I. Chez le marié
|
5:38
|
3 |
Les Noces: I. Le départ de la mariée
|
2:57
|
4 |
Les Noces: II. Le repas de noces
|
9:55
|
5 |
Mass: Kyrie
|
3:12
|
6 |
Mass: Gloria
|
4:19
|
7 |
Mass: Credo
|
5:25
|
8 |
Mass: Sanctus
|
3:58
|
9 |
Mass: Agnus Dei
|
3:26
|
|
CD 107
|
1 |
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo
|
21:16
|
2 |
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone
|
12:03
|
3 |
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro
|
5:39
|
4 |
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
|
9:31
|
5 |
Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo
|
27:39
|
|
CD 108
|
1 |
Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima
|
16:22
|
2 |
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo
|
16:28
|
3 |
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
|
6:19
|
4 |
Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto
|
13:26
|
5 |
Romeo & Juliet Overture
|
22:40
|
|
CD 109
|
1 |
Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
|
22:34
|
2 |
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
|
8:29
|
3 |
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
|
9:52
|
4 |
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante
|
17:11
|
|
CD 110
|
1 |
Romeo and Juliet
|
20:07
|
2 |
Francesca da Rimini, Op. 32
|
23:38
|
|
CD 111
|
1 |
Hamlet, op. 67
|
18:36
|
2 |
Marche slave, op. 31
|
9:16
|
3 |
Capriccio italien, op. 45
|
15:52
|
4 |
Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace
|
15:35
|
|
CD 112
|
1 |
Tristan und Isolde: Vorspiel
|
14:13
|
2 |
Tristan und Isolde: Seemann: Westwarts schweift der Blick
|
7:10
|
3 |
Tristan und Isolde: Act I. Scene II.Frisch weht der Wind der Heimat zu
|
4:34
|
4 |
Tristan und Isolde: Act I. Scene II. Hab acht, Tristan!
|
6:08
|
5 |
Tristan und Isolde: Brangane: Weh, ach wehe!
|
2:08
|
6 |
Tristan und Isolde: Act I. Scene III. Wie lachend sie mir
|
20:08
|
7 |
Tristan und Isolde: Act I. Scene IV. Auf! Auf! Ihr Frauen!
|
8:00
|
|
CD 113
|
1 |
Tristan und Isolde: Act I. Scene IV. Herr Tristan nah!
|
10:30
|
2 |
Tristan und Isolde: Act I. Scene V. War Morold dir so wert
|
11:25
|
3 |
Tristan und Isolde: Act I. Scene V. Tristan! - Isolde!
|
8:20
|
4 |
Tristan und Isolde: Vorspiel
|
2:07
|
5 |
Tristan und Isolde: Isolde: Horst du sie noch?
|
15:00
|
6 |
Tristan und Isolde: Tristan: Isolde! Geliebte!
|
18:30
|
|
CD 114
|
1 |
Tristan und Isolde: Act II. Scene II. O sik hernieder, Nactht der Liebe
|
10:16
|
2 |
Tristan und Isolde: Act II. Scene II. Lausch, Geliebter
|
8:50
|
3 |
Tristan und Isolde: Act2 Scene2 Tristan:So sturben wir, um ungetrennt
|
10:01
|
4 |
Tristan und Isolde: Act2 Scene3 Kurwenal: Rette dich, Tristan
|
2:03
|
5 |
Tristan und Isolde: Act II. Scene III. Tatest du's wirklich?
|
13:16
|
6 |
Tristan und Isolde: Act II. Scene III. O, Konig, das kann ich dir nicht sagen
|
10:06
|
7 |
Tristan und Isolde: Act 3 Scene 1
|
8:03
|
8 |
Tristan und Isolde: Act3 Scene1 Hirt: Kurwenal! He! Sag, Kurwenal!
|
11:03
|
|
CD 115
|
1 |
Tristan und Isolde: Act III. Scene I. Wo ich erwacht, weilt ich nicht
|
7:41
|
2 |
Tristan und Isolde: Act III. Scene I. Der einst ich trotzt aus Treu
|
19:11
|
3 |
Tristan und Isolde: Act III. Scene I. Bist du nun tot?
|
6:35
|
4 |
Tristan und Isolde: Act III. Scene I. O Wonne! Freunde!
|
3:05
|
5 |
Tristan und Isolde: Tristan: O diese Sonne
|
3:51
|
6 |
Tristan und Isolde: Act III. Scene II. Ich bin's, ich bin's
|
6:30
|
7 |
Tristan und Isolde: Act III. Scene III. Kurwenal! Hor!
|
8:38
|
8 |
Tristan und Isolde: Isolde: Mild unde leise wie er lachelt
|
8:33
|
|
CD 116
|
1 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
|
14:39
|
2 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
|
17:47
|
3 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
|
5:39
|
4 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
|
12:11
|
5 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
|
13:25
|
6 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
|
6:07
|
7 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
|
5:26
|
|
CD 117
|
1 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
|
9:12
|
2 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
|
1:06
|
3 |
Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio – Allegro molto
|
8:52
|
4 |
Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
|
13:33
|
5 |
Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace
|
7:16
|
6 |
Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco
|
11:26
|
7 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement)
|
9:52
|
8 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement)
|
3:22
|
9 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement)
|
1:40
|
10 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement)
|
5:00
|
11 |
Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued)
|
1:02
|
|
CD 118
|
1 |
Symphony No. 2 in C major, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
|
12:27
|
2 |
Symphony No. 2 in C major, Op. 61: II. Scherzo: Allegro vivace
|
6:59
|
3 |
Symphony No. 2 in C major, Op. 61: III. Adagio espressivo
|
11:54
|
4 |
Symphony No. 2 in C major, Op. 61: IV. Allegro molto vivace
|
8:10
|
5 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme)
|
4:22
|
6 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..."
|
1:48
|
7 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement)
|
8:40
|
8 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued)
|
6:51
|
9 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement)
|
4:49
|
10 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement)
|
7:32
|
11 |
Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement)
|
5:16
|
|
CD 119
|
1 |
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
|
11:50
|
2 |
Symphony No. 4 in E minor, Op. 98: II. Andante moderato
|
11:53
|
3 |
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
|
6:07
|
4 |
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato - Più allegro
|
10:49
|
5 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme)
|
4:45
|
6 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement)
|
5:15
|
7 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement)
|
3:23
|
8 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement)
|
5:47
|
9 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement)
|
2:41
|
10 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement)
|
9:34
|
11 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement)
|
2:17
|
12 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement)
|
3:18
|
13 |
Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement)
|
2:12
|
|
CD 120
|
1 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
|
18:43
|
2 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia
|
8:14
|
3 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace
|
9:08
|
4 |
Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
|
11:18
|
5 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement)
|
9:18
|
6 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued)
|
1:58
|
7 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement)
|
1:56
|
8 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement)
|
1:50
|
9 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement)
|
3:41
|
10 |
Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work"
|
6:02
|
|
CD 121
|
1 |
Fancy Free: Big Stuff (Prologue)
|
2:32
|
2 |
Fancy Free: I. Opening Dance
|
2:50
|
3 |
Fancy Free: II. Scene at the Bar
|
2:56
|
4 |
Fancy Free: IV. Pas de deux
|
3:03
|
5 |
Fancy Free: V. Competition Scene
|
3:00
|
6 |
Fancy Free: VIa. Three Dance Variations: 2. Waltz
|
2:16
|
7 |
Fancy Free: VIb. Three Dance Variations: 3. Danzon
|
2:33
|
8 |
Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale
|
3:15
|
9 |
On the Town: Opening
|
3:11
|
10 |
On the Town: I Get Carried Away
|
3:03
|
11 |
On the Town: Lucky to Be Me
|
2:32
|
12 |
On the Town: Lonely Town
|
3:16
|
13 |
On the Town: I Can Cook Too
|
2:25
|
14 |
On the Town: Ya Got Me
|
2:45
|
15 |
On the Town: Opening (extended version)
|
3:45
|
|
DVD-Video 122
|
1 |
Symphonies Nos. 1, 8 And 9
|
144:39
|
2 |
Symphonies Nos. 2, 6 And 7
|
143:01
|
3 |
Symphonies Nos. 3, 4 and 5
|
142:04
|
4 |
Missa Solemnis, Choral Fantasy, The Creatures Of Prometheus
|
132:44
|
5 |
Overtures Egmont, Coriolian, Leonore III, King Stephen; String Quartet No. 14 Arranged For String Orchestra
|
96:30
|
6 |
Piano Concertos Nos. 1 And 2
|
71:32
|
7 |
Piano Concertos Nos. 3, 4 And 5
|
124:56
|
8 |
Fidelio
|
146:41
|
9 |
Divertimento For Orchestra, Serenade After Plato's Symposium, Symphony No. 2 "The Age Of Anxiety"
|
93:58
|
10 |
Candide
|
146:25
|
11 |
Symphonies Nos. 1 And 2
|
114:08
|
12 |
Symphonies Nos. 3 And 4
|
60:09
|
13 |
Piano Concertos Nos. 1 And 2
|
108:55
|
14 |
Violin Concerto, Violin And Cello Concerto
|
96:43
|
15 |
Gershwin: An American in Paris, Rhapsody in Blue / Ives: Symphony No. 2
|
91:58
|
16 |
Die Schöpfung
|
121:33
|
17 |
Symphony No. 1 "Titan", Symphony No. 2 "Resurrection"
|
146:32
|
18 |
Symphony No. 3
|
100:00
|
19 |
Symphony Nos. 4 and 5
|
120:51
|
20 |
Symphony No. 6 "Tragic"
|
83:46
|
21 |
Symphony No. 7
|
83:09
|
22 |
Symphony No. 8 "Symphony Of A Thousand"
|
84:38
|
23 |
Symphony No. 9
|
109:58
|
24 |
Das Lied Von Der Erde
|
65:58
|
25 |
Rehearsals (Symphonies Nos. 5 & 9, Das Lied Von Der Erde)
|
65:57
|
26 |
Lieder Eines Fahrenden Gesellen, Lieder Nach Aus Des Knaben Wunderhorn
|
126:43
|
27 |
The Little Drummer Boy: An Essay On Gustav Mahler
|
84:52
|
28 |
Ave Verum Corpus; Exsultate, Jubilate
|
79:49
|
29 |
Requiem In D Minor
|
84:39
|
30 |
Symphonies Nos. 1 To 4
|
157:25
|
31 |
Cello Concertos; Violin Concertos Arranged For Cello
|
93:16
|
32 |
Symphonies Nos. 6 And 9
|
70:33
|
33 |
Symphonies Nos. 4 And 5; Violin Concerto
|
148:17
|
34 |
The Making Of West Side Story
|
88:26
|
35 |
The Gift Of Music
|
84:39
|
36 |
Schumann: Cello Concerto / Bloch: Schelomo
|
55:25
|
|
Blu-ray 123
|
1 |
Symphony No. 1 In C Major Op. 21: I Adagio Molto – Allegro Con Brio / II Andante Cantabile Con Moto / III Menuetto. Allegro Molto E Vivace / IV Finale. Adagio – Allegro Molto E Vivace
|
26:40
|
2 |
Symphony No. 3 In E Flat Major "Eroica" Op. 55: I Allegro Con Brio / II Marcia Funebre. Adagio Assai / III Scherzo. Allegro Vivace / IV Finale. Allegro Molto
|
53:23
|
3 |
Symphony No. 3 In E Flat Major "Eroica" Op. 55: I Adagio Molto – Allegro Con Brio / II Larghetto / III Scherzo. Allegro / IV Finale. Allegro Molto
|
41:18
|
4 |
Symphony No. 2 In D Major Op. 36: I Adagio Molto – Allegro Con Brio / II Larghetto / III Scherzo. Allegro / IV Allegro Molto
|
35:48
|
5 |
Symphony No. 4 In B Flat Major Op. 60: I Adagio – Allegro Vivace / II Adagio / III Allegro Vivace / IV Allegro Ma Non Troppo
|
34:17
|
6 |
Symphony No. 6 In F Major "Pastoral" Op. 68: I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande (Allegro Ma Non Troppo) / II Szene Am Bach (Andante Molto Mosso) / III Lustiges Zusammensein Der Landleute (Allegro) / IV Gewitter – Sturm (Allegro) / V Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm (Allegretto)
|
44:38
|
7 |
Symphony No. 7 In A Major Op. 92: I Poco Sostenuto – Vivace / II Allegretto / III Presto / IV Allegro Con Brio
|
39:08
|
8 |
Symphony No. 8 In F Major Op. 93: I Allegro Vivace E Con Brio / II Allegretto Scherzando / III Tempo Di Menuetto / IV Allegro Vivace
|
26:02
|
9 |
Symphony No. 9 In D Minor Op. 125: I Allegro Ma Non Troppo, Un Poco Maestoso / II Molto Vivace / III Adagio Molto E Cantabile / IV Presto – / Presto – Recitative: "O Freunde, Nicht Diese Töne!" – Allegro Assai – Final Chorus From Schiller's Ode "To Joy"
|
71:04
|