Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
In 1992 Kate Rusby was, you fondly imagine, a nervy teenager who couldn't have dreamed of the outstanding career that lay ahead. The notion of a gentle young singer from Yorkshire with a mostly traditional repertoire lighting up a largely moribund Br...
Revealing a finely attuned sense of proportion and balance, the six pieces which make up the album never fall short of their initial promise.
There's also several surprisingly dramatic moments such as on the eight minute Telescope, in which cascadin...
Gnagnagna, « Lock Up c’est quand même ‘achement moins bien que RATM »… Mais ils sont cons ou quoi ? Est-ce que du Lock Up anglais ont dit « c’est quand même ‘achement moins bien que Napalm Death » ? Non. Parce qu’on peut déguster à la fois la boule v...
Nathan Williams has never been one for welcoming listeners into his world with open arms. In fact he's made things decidedly difficult since the first few Wavves tracks spread like wildfire around the web in 2008. Two hastily thrown together records ...