Whereas 1984's Purple Rain had seen Prince merge the on-screen and on-record perfectly, remaining a classic to this day, Parade can't quite claim to be as essential. Again a soundtrack to one of the Purple One's excursions into cinema, it supports th...
Gnagnagna, « Lock Up c’est quand même ‘achement moins bien que RATM »… Mais ils sont cons ou quoi ? Est-ce que du Lock Up anglais ont dit « c’est quand même ‘achement moins bien que Napalm Death » ? Non. Parce qu’on peut déguster à la fois la boule v...
The Presence of Night: Inside Noxura's New Album, "Hours Before The Sun"
An artist’s name is a promise, a statement of intent. For the project known as Noxura, that promise is found in its very definition: “the presence of night”. It’s a concept that...
Now known more for his fearsome reputation as a curmudgeonly r&b shouter in a hat, at one point in the dim and distant past, Van Morrison was, well... a happy curmudgeon. In the early '70s his magnificent voice and mystic vision were wedded to an idy...
It's long been my conviction that writing about music is one of the most widespread follies of modern times.
Each month, hundreds of thousands of words about music are written by people wearing converse trainers. What does it mean? Why bother descri...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...