Whereas 1984's Purple Rain had seen Prince merge the on-screen and on-record perfectly, remaining a classic to this day, Parade can't quite claim to be as essential. Again a soundtrack to one of the Purple One's excursions into cinema, it supports th...
Doll Creature is Max Eastley and David Toop's first recording since 1994's Buried Dreams and only their third since 1975's New and Rediscovered Musical Instruments. Both are criminally long out of print. Buried Dreams in particular was a brilliantly ...
Gnagnagna, « Lock Up c’est quand même ‘achement moins bien que RATM »… Mais ils sont cons ou quoi ? Est-ce que du Lock Up anglais ont dit « c’est quand même ‘achement moins bien que Napalm Death » ? Non. Parce qu’on peut déguster à la fois la boule v...
Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...
There's no stopping the music machine that is Shankar Mahadevan, Ehsaan Noorani and Loy Mendosa. Having started 2010 on a high with the soundtrack to My Name is Khan, the trio hit the rights notes once again with Karthik Calling Karthik. Fresh and fu...
One of the most unique shmup OST's for one of the most unique arcade shmups ever made, and arguably Tamayo Kawamoto's masterpiece. Not a single track here is forgettable or feels wasted.
The game starts with some fittingly energetic tunes ('Penetrati...