Perhaps surprisingly to some, Bass Generation marks ten years in the career of Swedish producer Jonas Altberg, whose arduous brand of house under the Basshunter moniker has only fallen on mainstream UK ears since early 2008. Yet he's risen through th...
In 1992 Kate Rusby was, you fondly imagine, a nervy teenager who couldn't have dreamed of the outstanding career that lay ahead. The notion of a gentle young singer from Yorkshire with a mostly traditional repertoire lighting up a largely moribund Br...
Released just four months after Today! in July 1965, The Beach Boys' ninth album was at first deemed by some to be a regression. Its predecessor had, on its second side, revealed the now studio-locked, pot-guzzling Brian Wilson's knack for melancholy...
Let me get this off my chest first of all, Tim Westwood is a twat.
Tim Westwood, or just Westwood, was BBC's "main man" for the world of hip-hop and reggae in the early 2000s; it wouldn't be until 2002 that they would properly embrace this side of mu...
One of the most unique shmup OST's for one of the most unique arcade shmups ever made, and arguably Tamayo Kawamoto's masterpiece. Not a single track here is forgettable or feels wasted.
The game starts with some fittingly energetic tunes ('Penetrati...
Gnagnagna, « Lock Up c’est quand même ‘achement moins bien que RATM »… Mais ils sont cons ou quoi ? Est-ce que du Lock Up anglais ont dit « c’est quand même ‘achement moins bien que Napalm Death » ? Non. Parce qu’on peut déguster à la fois la boule v...