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CD 1
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| 1 |
Shawm: Saltarello
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1:55
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| 2 |
Reed pipe: Shepherd’s tune
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1:02
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| 3 |
Bagpipes: (a) Cylindrical chanter: Saltarello; (b) Conical chanter: Ballade “Dame, se vous m’estés”
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3:14
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| 4 |
Bladder pipes: Pastourelle “Au tans d’aost”
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1:08
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| 5 |
Panpipes: A prisai qu’en chantant plour
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1:13
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| 6 |
Transverse flute: Ach owê, daz nâch liebe ergât
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1:34
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| 7 |
Six-holed pipe: Dou tres douz non
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1:55
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| 8 |
Double pipes: Virelai “Gracïeuse”
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1:21
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| 9 |
Pipe and tabor: Dansa “Ben volgra, s’esser poges”
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1:13
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| 10 |
Recorder: English Te Deum
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1:55
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| 11 |
Gemshorn: Chansonnette “Quan je voi iver retorner”
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1:33
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| 12 |
Portative organ: Madrigal “Ay, sconsolato ed amoroso”
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1:43
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| 13 |
Positive organ: Estampie
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2:23
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| 14 |
Hurdy-gurdy: Chanson “Joliveté et bone amor”
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1:39
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| 15 |
Clavichord: Ellend du hast
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2:16
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| 16 |
Trumpet: (a) Clarion: Fanfare “Untarn slaf tut den sumer wol”; (b) Buisine: Fanfare “Ad modum tubae”
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2:21
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| 17 |
(a) Cowhorn: Ballade “De moi doloureus”; (b) Medieval Cornett: Das Nachthorn; (c) Slide trumpet: Geisslerlied “Maria muoter reinû maît”; (d) Ensemble (medieval cornett, slide trumpet, alto shawm, tabor): Der Trumpet
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3:37
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| 18 |
Harp: (a) Metal strung: Lai “Qui porroit un guierredon”; (b) Gut strung: Dance tune
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2:14
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| 19 |
Lyre: Goliard melody “O Roma nobilis”
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0:51
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| 20 |
Psaltery: Hymn to St Magnus “Nobilis humilis”
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1:01
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| 21 |
Dulcimer: Madrigal “Tanto soavemente”
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1:57
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| 22 |
Lute: Madrigal “Di novo è giunto”
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2:14
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| 23 |
Mandora: Chanson “Amours que porra”
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1:23
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| 24 |
Long-necked lute: Aquel que de voontade
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1:15
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| 25 |
Cittern: Virelai “Quant je sui mis”
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1:02
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| 26 |
Citole: English dance
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1:46
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| 27 |
Rebec: La septime estampie real
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1:05
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| 28 |
Fiddle: Ballata “Poi che da te mi convien”
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1:26
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| 29 |
Bowed lyre: Virelai “Comment qu’a moy”
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1:35
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| 30 |
Tromba marina: Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”
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1:05
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CD 2
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| 1 |
Shawm: Two courantes
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2:13
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| 2 |
Curtal: Chanson “Ce qui souloit”
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1:45
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| 3 |
Rackett: Caro ortolano
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1:30
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| 4 |
Crumhorn: Padouana
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2:09
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| 5 |
Cornamuse: Bicinium “Le cuer de vous”
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1:11
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| 6 |
Kortholt: Bicinium “Mon petit cuer”
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1:23
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| 7 |
Rauschpfeife: Three Bransles Doubles
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1:33
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| 8 |
Flute: Chanson “Amor me poingt”
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1:26
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| 9 |
Recorder (a) 8′ Consort: Chanson “Hellas! Amour”
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2:17
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| 10 |
The Fairie Round
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1:22
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| 11 |
Renaissance organ: Entrada réal
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2:22
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| 12 |
Regal: (a) Prelude “Ascensus simplex”; (b) “Min Hertz hat sich ser gefröwet”
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1:35
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| 13 |
Harpsichord: Toccata from the Naples MS
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1:57
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| 14 |
Virginals: Variations on the Romanesca
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2:35
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| 15 |
Xylophone: Ballo Francese
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0:57
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| 16 |
Trumpet: (a) Unmuted: Toccata from Orfeo, 1607; (b) Muted: Toccata from Orfeo, 1607
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1:26
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| 17 |
Sackbut: (a) Solo: Adagio and Allegro; (b) Consort: “Lobt Gott ihr Christen alle gleich”
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2:59
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| 18 |
Cornett: Canzona for “due canti”
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3:08
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| 19 |
Alto and tenor cornett: Bicinium “Amour cruel”
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1:22
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| 20 |
Serpent: Canzona Quarta for “basso solo”
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2:22
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| 21 |
Lute: Orlando sleepeth
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1:44
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| 22 |
Theorbo: A Fancy — Praelude, or Voluntary
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1:48
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| 23 |
Mandora: Ballo Anglese
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1:06
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| 24 |
Cittern: Galliarde for cittern and bass
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2:22
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| 25 |
Ceterone: Toccata prima
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1:44
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| 26 |
Bandora: Galliard
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0:50
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| 27 |
Orpharion: Duet “Le Rossignol”
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1:36
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| 28 |
Vihuela: Fantasia XI from El maestro, 1536
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2:50
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| 29 |
Guitar: Pavana (Variations on the Romanesca)
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1:32
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| 30 |
Viol: (a) Consort: Fantasy in four parts; (b) Lyra viol: Duet “Forget me not”
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3:21
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| 31 |
Violin: La volta
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1:32
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