|
CD-R 1
|
1 |
Ex 001 - El Panameno (short song)
|
1:26
|
2 |
Ex 002 - Almendra (excerpt)
|
0:23
|
3 |
Ex 003 - Angoa (excerpt)
|
0:25
|
4 |
Ex 004 - Angoa variations
|
0:25
|
5 |
Ex 005 - Son
|
0:21
|
6 |
Ex 006a and 006b - One-measure patterns
|
0:22
|
7 |
Ex 007 - Son variations
|
0:22
|
8 |
Summary (Son)
|
0:50
|
9 |
Ex 008 - I-IV-V-IV
|
0:20
|
10 |
Ex 009 - I-IV-V-IV with arpeggio
|
0:20
|
11 |
Ex 010 - Four-bar phrase
|
0:21
|
12 |
Ex 011 - I-ii-V-IV
|
0:21
|
13 |
Ex 012 - I-ii-V-IV with arpeggio
|
0:22
|
14 |
Summary (Major Son-Montuno)
|
0:33
|
15 |
Ex 013 - Minor i-iv-V-iv with arpeggio
|
0:22
|
16 |
Ex 014 - i-ii-V-iv
|
0:21
|
17 |
Ex 015 - i-ii-V-ii
|
0:20
|
18 |
Ex 016 - i-ii-V-ii with arpeggio
|
0:21
|
19 |
Summary (Minor Son Montuno)
|
0:35
|
20 |
Ex 017 - I-V-VI-I with passing tones
|
0:22
|
21 |
Ex 018 - Minor i-V-V-i with passing tones
|
0:21
|
22 |
Ex 019 - I-ii-V-I with passing tones
|
0:21
|
23 |
Ex 020 - I-V-V-I with bass variations
|
0:21
|
24 |
Ex 021 - ii-V-I
|
0:21
|
25 |
Ex 022 - ii-V-I with 9th voicing
|
0:22
|
26 |
Ex 023 - ii-V-i-IV with one chord per measure
|
0:22
|
27 |
Ex 024a - Chromatic ii-V progression
|
0:28
|
28 |
Ex 024b - Whole tone ii-Vs
|
0:18
|
29 |
Ex 024c - Whole tone ii-Vs up half-step
|
0:20
|
30 |
Ex 025 - ii- V modulating progression
|
0:19
|
31 |
Ex 026 - I-ii-V-IV with harmonization
|
0:21
|
32 |
Ex 027 - V-IV-I-ii with harmonization
|
0:19
|
33 |
Ex 028 - I-IV-V-IV with contrary motion and harmonization
|
0:20
|
34 |
Ex 029 - Afro
|
0:19
|
35 |
Ex 030 - Guajira #1
|
0:29
|
36 |
Ex 031 - Guajira #2 with pick-up
|
0:30
|
37 |
Ex 032 - Four-and - two-and pattern
|
0:28
|
38 |
Ex 033 - Mambo
|
0:23
|
39 |
Ex 034 - Early mambo pattern
|
0:18
|
40 |
Ex 035 - Cha-cha-cha - I-vi-ii-V progression
|
0:24
|
41 |
Ex 036 - Two-measure cha-cha pattern
|
0:26
|
42 |
Ex 037 - Right-hand syncopated variation for cha-cha
|
0:26
|
43 |
Ex 038 - Summary cha-cha-cha exercise
|
0:43
|
44 |
Ex 039 - Pachanga style pattern
|
0:25
|
45 |
Ex 040 - Bolero Pattern
|
0:30
|
46 |
Ex 041 - Gadinga (excerpt)
|
0:31
|
47 |
Ex 042 - Modulation from major to relative minor
|
0:20
|
48 |
Ex 043 - Same as above in 3-2 clave
|
0:22
|
49 |
Ex 044 - Harmonization an alteration
|
0:22
|
50 |
Ex 045 - Same as above in 3-2 clave
|
0:23
|
51 |
Ex 046 - Te Vas De Mi (excerpt)
|
0:22
|
52 |
Ex 047 - Dominant 7th chord montunos
|
0:30
|
53 |
Ex 048 - Dominant 13th cha-cha 01
|
0:25
|
54 |
Ex 049 - Dominant 13th Syncopated cha-cha
|
0:26
|
55 |
Ex 050 - Palmieri-esque funky cha-cha
|
0:26
|
56 |
Ex 051 - Special 3-2 pattern
|
0:23
|
57 |
Ex 052 - Minor cha-cha
|
0:26
|
58 |
Ex 053 - Comoping approaches over rapid chord changes
|
0:32
|
59 |
Ex 054 - 6/8 comping patterns
|
0:28
|
60 |
Ex 055 - Guaguanco style pattern
|
0:24
|
61 |
Ex 056 - Mozambique style pattern
|
0:29
|
62 |
Ex 057 - Early songo style #1
|
0:24
|
63 |
Ex 058 - Early songo style #2
|
0:20
|
64 |
Ex 059 - Songo pattern with batá rhythm
|
0:19
|
65 |
Ex 060 - One-measure arpeggiated pattern
|
0:18
|
66 |
Ex 061 - Syncopated songo pattern
|
0:18
|
67 |
Ex 062 - Mid-80s songo style
|
0:18
|
68 |
Ex 063 - Montuno in 5/4
|
0:16
|
69 |
Ex 064 - Montuno in 7/8
|
0:16
|