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Digital Media 1
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| 1 |
Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
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3:45
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| 2 |
Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
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2:21
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| 3 |
Ines di Castro: Romanza “Cari giorni” (Ines)
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4:09
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| 4 |
Infelice, op. 94
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12:08
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| 5 |
El poeta calculista: “Yo que soy contrabandista”
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2:20
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| 6 |
La sonnambula: Atto II. “Ah, non credea mirarti”
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4:17
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| 7 |
La sonnambula: Atto II. “Ah, non giunge uman pensiero”
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3:22
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| 8 |
Air à la Tirolienne avec Variations
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7:23
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| 9 |
La figlia dell’aria: “E non lo vedo… Son regina”
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7:01
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| 10 |
Rataplan
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2:24
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| 11 |
“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
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3:13
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| 12 |
I puritani: Atto II. "O rendetemi la speme"
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5:17
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| 13 |
I puritani: Atto II. “Vien, diletto, è in ciel la luna”
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2:47
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| 14 |
Clari: “Come dolce a me favelli”
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4:36
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| 15 |
Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
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2:32
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| 16 |
“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
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4:13
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| 17 |
Norma: Atto I. “Casta Diva”
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6:42
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| 18 |
The Maid of Artois – Yon Moon o’er the Mountains
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2:49
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| 19 |
Il barbiere di Siviglia: Overture / “Una voce poco fa”
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5:35
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| 20 |
Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
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0:32
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| 21 |
Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
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1:02
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| 22 |
Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
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0:28
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| 23 |
Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
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0:34
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| 24 |
Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
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0:24
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| 25 |
Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
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1:05
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| 26 |
Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
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0:58
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| 27 |
Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
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1:02
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| 28 |
Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
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0:33
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