|
Digital Media 1
|
| 1 |
Siegfried Idyll, WWV 103
|
18:26
|
| 2 |
Kinderkatechismus
|
2:28
|
| 3 |
Of All Great Musical Compositions... (Examples 1-4)
|
3:37
|
| 4 |
The Fundamental Symbol... (Examples 5-11)
|
4:46
|
| 5 |
Returning Now to the Nature Motive... (Examples 6, 12-16)
|
3:22
|
| 6 |
A Number of Further Motives... (Examples 5, 17-21)
|
3:17
|
| 7 |
A Second, Much Smaller Family... (Examples 22-25)
|
2:35
|
| 8 |
So Much for Nature. (Examples 26-38)
|
7:56
|
| 9 |
The Cause of the Deterioration... (Examples 39-44)
|
3:30
|
| 10 |
The Other Transformation... (Examples 45-48)
|
3:44
|
| 11 |
Several Other Motives... (Examples 49-52)
|
2:47
|
| 12 |
Two Further Motives... (Examples 41, 53-61)
|
7:12
|
| 13 |
The Basic Motive Associated With the Spear... (Examples 62-68)
|
5:17
|
| 14 |
Along Another, More Complex Line... (Examples 69-72)
|
2:12
|
| 15 |
In Act Two of "Walküre"... (Examples 69, 73-75)
|
2:21
|
| 16 |
Returning Now to Act Two of "Walküre"... (Examples 76-79)
|
3:54
|
| 17 |
Love Is Another of the Central Symbols... (Examples 80-83)
|
3:06
|
| 18 |
Later in the Same Scene... (Examples 84-87)
|
2:22
|
| 19 |
Freia's Motive Has Two Independent Segments... (Examples 88-91)
|
2:01
|
| 20 |
The Label 'Flight'... (Example 92)
|
0:56
|
| 21 |
When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98)
|
5:23
|
| 22 |
A Little Later in This Interlude... (Examples 99-103)
|
3:07
|
| 23 |
The Other New Motive... (Examples 104-109)
|
3:37
|
| 24 |
There Are Several Independent Love-Motives... (Examples 110-114)
|
2:56
|
| 25 |
The Characters in Whose Lives... (Examples 115-120)
|
5:28
|
| 26 |
One Further Motive Belongs... (Example 121)
|
1:25
|
| 27 |
The Sword Motive Recurs... (Examples 122-130)
|
4:28
|
| 28 |
Ironically, This Phrase... (Examples 131-135)
|
2:59
|
| 29 |
Closely Associated With Gutrune's Motive... (Examples 136-140)
|
2:27
|
| 30 |
Here We Come to the End... (Examples 141-146)
|
3:44
|
| 31 |
Complementary to This Symbol... (Examples 147-149)
|
2:14
|
| 32 |
One Last Central Symbol... (Examples 150-157)
|
4:54
|
| 33 |
One Further Motive Connected... (Examples 158-161)
|
2:53
|
| 34 |
There Are One or Two Motives... (Examples 162-168)
|
3:48
|
| 35 |
These Motives of Alberich and Mime... (Examples 169-171)
|
2:08
|
| 36 |
Quite a Number of the Subsidiary Motives... (Examples 172-176)
|
2:51
|
| 37 |
Besides This Family of Motives... (Examples 177-180)
|
2:32
|
| 38 |
Our Final Example... (Examples 10, 181, 182)
|
3:57
|
| 39 |
In the Final Scene of Götterdämmerung... (Examples 181-183)
|
2:45
|
| 40 |
Even More Masterly... (Examples 184-188)
|
4:32
|
| 41 |
Now If We Return... (Examples 189-191)
|
2:48
|
| 42 |
This Masterly Way... (Examples 192, 193)
|
4:53
|
MetaBrainz Foundation