La Sublime Porte. Voix d’Istanbul · 1430 – 1750 by Hespèrion XXI, Jordi Savall 2011

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Tracklist

# Title Length
Hybrid SACD 1
1 Taksim & Makam « Uzzäl uşūleş Darb-i feht ». Dervis Mehmed (Mss. Dimitrie Cantemir 209) 4:04
2 Segâh Kâr « Kâr-i Seş-âvâz ». Hace Abdülkadir Meragi (1350?-1435) 6:49
3 Chanson et Danse « Siretsi yares Taran–Noubar noubar ». Anonyme traditionnel d’Arménie 3:48
4 Por alli pasó un cavallero. Anonyme Sépharade (Smyrne, XVIe siècle) 6:29
5 Taksim & Makam « bûselik uşūleş ». Dimitrie Cantemir (1673-1723) (Mss. Dimitrie Cantemir 335) 5:30
6 Hisar Ağir Semai. Buhuri Zade Mustafa Efendi (Itri) (ca. 1640 ?-1712) 8:10
7 Taksim & Danse (kemençe & percussion) *. Anonyme Traditionnel d'Arménie 3:03
8 Prière. Traditionnel Hebraïque 4:02
9 Taksim & Makam Rehavi Çember. Tanburi Angeli (? -1690) (Mss. Dimitrie Cantemir 297) 5:30
10 Gazel. Improvisation (tradition Ottomane) Poème de Fuzuli (Mehmet bin Süleyman) 3:55
11 Taksim & Makam « Hicâz uşūleş Devr-i Kebir ». Anonyme (Mss. Dimitrie Cantemir n. 220, ca. 1690 7:07
12 Punxa, punxa. Romance Séfarade Istanbul * 4:22
13 El Rey que tanto madruga (instrumental) *. Anonyme Sépharade (Smyrne, XVIe siècle) 4:23
14 Hisar buselik Şarkı. Tanburi Mustafa Çavuş (1700 ?- 1770) 3:09
15 Plainte « En Sarer II » *. Goussan Ashot (Arménie) 3:42
16 Rast Nakış beste « amed nesim-i ». Hace Abdülkadir Meragi (1350 ?-1435) 5:53

Release group information

Tags
classical, medieval, andalusian classical
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