|
Digital Media 1
|
| 1 |
Adagio for Strings, op. 11/2
|
10:02
|
| 2 |
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio
|
9:21
|
| 3 |
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
|
8:12
|
| 4 |
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
|
3:18
|
| 5 |
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace
|
5:42
|
| 6 |
Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio
|
13:26
|
| 7 |
Symphony no. 2 in D major, op. 36: II. Larghetto
|
12:29
|
| 8 |
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
|
3:34
|
| 9 |
Symphony no. 2 in D major, op. 36: IV. Allegro molto
|
6:18
|
| 10 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
|
17:40
|
| 11 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai
|
17:33
|
| 12 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace
|
6:10
|
| 13 |
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto
|
11:43
|
| 14 |
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace
|
11:29
|
| 15 |
Symphony no. 4 in B-flat major, op. 60: II. Adagio
|
10:02
|
| 16 |
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace
|
5:56
|
| 17 |
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
|
6:46
|
| 18 |
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
|
8:38
|
| 19 |
Symphony no. 5 in C minor, op. 67: II. Andante con moto
|
10:20
|
| 20 |
Symphony no. 5 in C minor, op. 67: III. Allegro
|
5:23
|
| 21 |
Symphony no. 5 in C minor, op. 67: IV. Allegro
|
11:15
|
| 22 |
Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo
|
11:43
|
| 23 |
Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso
|
13:29
|
| 24 |
Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro
|
5:27
|
| 25 |
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro
|
3:43
|
| 26 |
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto
|
10:18
|
| 27 |
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
|
14:17
|
| 28 |
Symphony no. 7 in A major, op. 92: II. Allegretto
|
8:48
|
| 29 |
Symphony no. 7 in A major, op. 92: III. Presto
|
8:59
|
| 30 |
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
|
7:03
|
| 31 |
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
|
9:45
|
| 32 |
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
|
4:01
|
| 33 |
Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
|
4:49
|
| 34 |
Symphony no. 8 in F major, op. 93: IV. Allegro vivace
|
7:26
|
| 35 |
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
|
15:23
|
| 36 |
Symphony no. 9 in D minor, op. 125: II. Molto vivace
|
11:18
|
| 37 |
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
|
17:52
|
| 38 |
Symphony no. 9 in D minor, op. 125: IV. Presto
|
7:45
|
| 39 |
Symphony no. 9 in D minor, op. 125: V. Presto "O Freunde, nicht diese Töne!" - Allegro assai
|
18:47
|
| 40 |
Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo
|
8:59
|
| 41 |
Ouvertüre zu "Coriolan", Op. 62
|
8:57
|
| 42 |
Ouvertüre zu "König Stephan", Op. 117
|
6:51
|
| 43 |
Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43
|
4:51
|
| 44 |
Die Geschöpfe des Prometheus, Op. 43: No. 14, Solo della Casentini. Andante – Adagio - Live
|
4:41
|
| 45 |
Die Geschöpfe des Prometheus, Op. 43: No. 5, Adagio – Andante quasi allegretto - Live
|
6:38
|
| 46 |
Die Geschöpfe des Prometheus, Op. 43: No. 16. Finale. Allegretto – Allegro molto - Live
|
6:04
|
| 47 |
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
|
16:55
|
| 48 |
Piano Concerto no. 3 in C minor, op. 37: II. Largo
|
11:47
|
| 49 |
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
|
9:10
|
| 50 |
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
|
19:17
|
| 51 |
Piano Concerto no. 4 in G major, op. 58: II. Andante con moto
|
5:37
|
| 52 |
Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
|
10:03
|
| 53 |
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro
|
20:45
|
| 54 |
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca
|
9:08
|
| 55 |
Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro
|
10:47
|
| 56 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live
|
8:45
|
| 57 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): II. Allegro molto vivace - Live
|
3:14
|
| 58 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): III. Allegro moderato – - Live
|
0:54
|
| 59 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): IV. Andante, ma non troppo e molto cantabile - Live
|
17:15
|
| 60 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): V. Presto – Molto poco adagio – - Live
|
6:02
|
| 61 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): VI. Adagio quasi un poco andante – - Live
|
2:44
|
| 62 |
String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): VII. Allegro - Live
|
6:58
|
| 63 |
String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): I. Allegretto - Live
|
7:16
|
| 64 |
String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): II. Vivace - Live
|
3:28
|
| 65 |
String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): III. Lento assai, cantante e tranquillo - Live
|
10:01
|
| 66 |
String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto — Allegro - Live
|
10:39
|
| 67 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison
|
3:53
|
| 68 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison
|
2:01
|
| 69 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison
|
4:21
|
| 70 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo
|
4:48
|
| 71 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi
|
6:28
|
| 72 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus
|
1:13
|
| 73 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris
|
2:55
|
| 74 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris
|
2:22
|
| 75 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum
|
4:08
|
| 76 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est
|
5:57
|
| 77 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum
|
5:20
|
| 78 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi
|
1:41
|
| 79 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen
|
3:13
|
| 80 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth
|
2:57
|
| 81 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis
|
1:06
|
| 82 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium
|
2:13
|
| 83 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini
|
10:34
|
| 84 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi
|
6:52
|
| 85 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem
|
2:10
|
| 86 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi
|
3:00
|
| 87 |
Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem
|
3:53
|
| 88 |
Fidelio, op. 72: Overture
|
7:14
|
| 89 |
Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)
|
4:55
|
| 90 |
Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline)
|
0:16
|
| 91 |
Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline)
|
4:18
|
| 92 |
Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore)
|
0:57
|
| 93 |
Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino)
|
5:03
|
| 94 |
Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline)
|
0:41
|
| 95 |
Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco)
|
2:46
|
| 96 |
Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline)
|
1:27
|
| 97 |
Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline)
|
6:21
|
| 98 |
Fidelio, op. 72: Act I, Scene II, no. 6. March
|
2:09
|
| 99 |
Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco)
|
0:44
|
| 100 |
Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus)
|
3:16
|
| 101 |
Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco)
|
0:23
|
| 102 |
Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco)
|
4:59
|
| 103 |
Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore)
|
8:10
|
| 104 |
Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore)
|
0:40
|
| 105 |
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust”
|
7:15
|
| 106 |
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f.
|
7:11
|
| 107 |
Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus)
|
4:02
|
| 108 |
Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen”
|
11:28
|
| 109 |
Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben”
|
6:04
|
| 110 |
Fidelio, op. 72: Act II, Scene I. “Er erwacht”
|
1:16
|
| 111 |
Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten”
|
6:25
|
| 112 |
Fidelio, op. 72: Act II, Scene I. “Alles ist bereit”
|
0:31
|
| 113 |
Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder”
|
4:57
|
| 114 |
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!”
|
2:43
|
| 115 |
Fidelio, op. 72: Act II. Overture “Leonore III”
|
15:07
|
| 116 |
Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen”
|
13:16
|
| 117 |
Leonore Overture No. 3, Op. 72b - Live
|
14:25
|
| 118 |
Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
|
20:00
|
| 119 |
Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
|
5:39
|
| 120 |
Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace)
|
10:07
|
| 121 |
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Live
|
8:05
|
| 122 |
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live
|
10:25
|
| 123 |
Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro - Live
|
5:17
|
| 124 |
Symphony No. 5 in C Minor, Op. 67: IV. Finale. Allegro - Live
|
11:14
|
| 125 |
Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso
|
18:04
|
| 126 |
Symphony no. 9 in D minor, op. 125: II. Molto vivace
|
10:44
|
| 127 |
Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile
|
20:14
|
| 128 |
Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
|
28:57
|
| 129 |
Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Live
|
16:19
|
| 130 |
Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live
|
9:48
|
| 131 |
Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto - Live
|
10:26
|
| 132 |
Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio - Live
|
8:40
|
| 133 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio
|
14:38
|
| 134 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
|
17:47
|
| 135 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
|
5:38
|
| 136 |
Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto
|
12:11
|
| 137 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement)
|
13:25
|
| 138 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement)
|
6:07
|
| 139 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement)
|
5:26
|
| 140 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement)
|
9:12
|
| 141 |
Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..."
|
1:06
|